This is an alphabetical artist list of every song to make the top 40 during
any given week during this year and its peak highest position reached on the
national charts in USA
What are your favorite songs on this list?
My personal favorites are listed at the very bottom :
hoknes@hotmail.com
38 Special Hold on Loosely 1981 27
A Taste of Honey Sukiyaki 1981 03
Abba The Winner Takes It All 1981 08
AC/DC Back In Black 1981 37
Afternoon Delights General Hospi-Tale 1981 33
Air Supply Every Woman in the World 1981 05
Air Supply Here I Am (Just When I Thought I Was Over You) 1981 05
Air Supply The One That You Love 1981 01
Al Jarreau We're in This Love Together 1981 15
Alabama Feels So Right 1981 20
Alan Parsons Project Games People Play 1981 16
Alan Parsons Project Time 1981 15
Allman Brothers Band Straight From the Heart 1981 39
Andy Gibb Me (Without You) 1981 40
Andy Gibb Time Is Time 1981 15
Anne Murray Blessed Are the Believers 1981 34
April Wine Just Between You and Me 1981 21
Atlanta Rhythm Section Alien 1981 29
Balance Breaking Away 1981 22
Barbra Streisand & Barry Gibb Guilty 1981 03
Barbra Streisand & Barry Gibb What Kind Of Fool 1981 10
Barry Manilow I Made It Through the Rain 1981 10
Barry Manilow The Old Songs 1981 15
Beach Boys The Beach Boys Medley 1981 12
Bee Gees He's a Liar 1981 30
Bette Midler My Mother's Eyes 1981 39
Billy & The Beaters (Billy Vera) I Can Take Care of Myself 1981 39
Billy Joel Say Goodbye to Hollywood 1981 17
Billy Squier In the Dark 1981 35
Billy Squier The Stroke 1981 17
Blondie Rapture 1981 01
Blondie The Tide Is High 1981 01
Blue Oyster Cult Burning for You 1981 40
Blues Brothers Who's Making Love 1981 39
Bob Seger & The Silver Bullet Band Tryin' to Live My Life Without You 1981 05
Boz Scaggs Miss Sun 1981 14
Bruce Springsteen Fade Away 1981 20
Burton Cummings You Saved My Soul 1981 37
Carl Carlton She's a Bad Mama Jama (She's Built, She's Stacked) 1981 22
Carole Bayer Sager Stronger Than Before 1981 30
Carpenters Touch Me When We're Dancing 1981 16
Champaign How 'Bout Us 1981 12
Chilliwack My Girl (Gone, Gone, Gone) 1981 22
Chris Christian I Want You, I Need You 1981 37
Christopher Cross Arthur's Theme (Best That You Can Do) 1981 01
Christopher Cross Say You'll Be Mine 1981 20
Cliff Richard A Little in Love 1981 17
Climax Blues Band I Love You 1981 12
Commodores Lady (You Bring Me Up) 1981 08
Commodores Oh No 1981 04
Con Funk Shun Too Tight 1981 40
Dan Fogelberg Hard To Say 1981 07
Dan Fogelberg Same Old Lang Syne 1981 09
Daryl Hall & John Oates Kiss On My List 1981 01
Daryl Hall & John Oates Private Eyes 1981 01
Daryl Hall & John Oates You Make My Dreams 1981 05
Delbert McClinton Giving It Up for Your Love 1981 08
Diana Ross It's My Turn 1981 09
Diana Ross Why Do Fools Fall in Love? 1981 07
Diana Ross & Lionel Richie Endless Love 1981 01
Diesel Sausalito Summernight 1981 25
Dolly Parton 9 to 5 1981 01
Don McLean Castles in the Air 1981 36
Don McLean Crying 1981 05
Don McLean Since I Don't Have You 1981 23
Donna Summer Cold Love 1981 33
Donna Summer Who Do You Think You're Foolin' 1981 40
Donnie Iris Ah! Leah! 1981 29
Doobie Brothers One Step Closer 1981 24
Dottie West with Kenny Rogers What Are We Doin' in Love 1981 14
Eagles Seven Bridges Road 1981 21
Earth, Wind & Fire Let's Groove 1981 03
Eddie Rabbitt I Love A Rainy Night 1981 01
Eddie Rabbitt Step by Step 1981 05
Electric Light Orchestra Hold on Tight 1981 10
Electric Light Orchestra Twilight 1981 38
Elton John Chloe 1981 34
Elton John Nobody Wins 1981 21
Elvis Presley Guitar Man 1981 28
Emmylou Harris Mister Sandman 1981 37
Eric Clapton & His Band I Can't Stand It 1981 10
Evelyn "Champagne" King I'm in Love 1981 40
Firefall Staying with It 1981 37
Foreigner Urgent 1981 04
Foreigner Waiting for a Girl Like You 1981 02
Four Tops When She Was My Girl 1981 11
Franke & The Knockouts Sweetheart 1981 10
Franke & The Knockouts You're My Girl 1981 27
Frankie Smith Double Dutch Bus 1981 30
Fred Knoblock & Susan Anton Killin' Time 1981 28
Gary "U.S." Bonds This Little Girl 1981 11
Gary Wright Really Wanna Know You 1981 16
Genesis No Reply at All 1981 29
George Harrison All Those Years Ago 1981 02
Get Wet Just So Lonely 1981 39
Gino Vannelli Living Inside Myself 1981 06
Go-Gos Our Lips Are Sealed 1981 20
Greg Kihn Band The Breakup Song (They Don't Write 'Em) 1981 15
Grover Washington, Jr. with Bill Withers Just the Two of Us 1981 02
Heart Tell It Like It Is 1981 08
Jacksons Heartbreak Hotel 1981 22
James Taylor & J.D. Souther Her Town Too 1981 11
Jefferson Starship Find Your Way Back 1981 29
Jesse Winchester Say What 1981 32
Jim Photoglo Fool in Love with You 1981 25
Jim Steinman Rock and Roll Dreams Come Through 1981 32
Joe Valino A Life of Illusion 1981 34
Joey Scarbury Theme from "The Greatest American Hero" (Believe It or Not) 1981
02
John Cougar Mellencamp Ain't Even Done with the Night 1981 17
John Denver Some Days Are Diamonds (Some Days Are Stone) 1981 36
John Lennon Watching the Wheels 1981 10
John Lennon Woman 1981 02
John O'Banion Love You Like I Never Loved Before 1981 24
John Schneider It's Now or Never 1981 14
Journey Don't Stop Believin' 1981 09
Journey The Party's Over (Hopelessly in Love) 1981 34
Journey Who's Crying Now 1981 04
Juice Newton Angel of the Morning 1981 04
Juice Newton Queen of Hearts 1981 02
Kenny Rogers I Don't Need You 1981 03
Kenny Rogers Share Your Love with Me 1981 14
Kim Carnes Bette Davis Eyes 1981 01
Kim Carnes Draw of the Cards 1981 28
Kool & The Gang Celebration 1981 01
Kool & The Gang Jones vs. Jones 1981 39
Kool & The Gang Take My Heart (You Can Have It If You Want It) 1981 17
L.T.D. Shine On 1981 40
Lee Ritenour Is It You 1981 15
Leo Sayer Living in a Fantasy 1981 23
Little River Band The Night Owls 1981 06
Loverboy Turn Me Loose 1981 35
Lulu I Could Never Miss You (More Than I Do) 1981 18
Luther Vandross Never Too Much 1981 33
Manhattan Transfer The Boy from New York City 1981 07
Marty Balin Atlanta Lady (Something About Your Love) 1981 27
Marty Balin Hearts 1981 08
Michael Stanley Band He Can't Love You 1981 33
Mike Post The Theme from "Hill Street Blues" 1981 10
Moody Blues Gemini Dream 1981 12
Moody Blues The Voice 1981 15
Neil Diamond America 1981 08
Neil Diamond Hello Again 1981 06
Neil Diamond Love on the Rocks 1981 02
Oak Ridge Boys Elvira 1981 05
Olivia Newton-John Physical 1981 01
Olivia Newton-John & Cliff Richard Suddenly 1981 20
Outlaws (Ghost) Riders In the Sky 1981 31
Pablo Cruise Cool Love 1981 13
Pat Benatar Fire and Ice 1981 17
Pat Benatar Promises In the Dark 1981 38
Pat Benatar Treat Me Right 1981 18
Phil Collins I Missed Again 1981 19
Phil Collins In the Air Tonight 1981 19
Phil Seymour Precious to Me 1981 22
Point Blank Nicole 1981 39
Pointer Sisters Slow Hand 1981 02
Police De Do Do Do, De Da Da Da 1981 10
Police Don't Stand So Close to Me 1981 10
Police Every Little Thing She Does Is Magic 1981 03
Pure Prairie League Still Right Here in My Heart 1981 28
Quincy Jones featuring Dune Ai No Corrida (I-No-Ko-ree-da) 1981 28
Quincy Jones featuring James Ingram Just Once 1981 17
Randy Meisner Hearts On Fire 1981 19
Ray Parker, Jr. & Raydio A Woman Needs Love (Just Like You Do) 1981 04
Ray Parker, Jr. & Raydio That Old Song 1981 21
REO Speedwagon Don't Let Him Go 1981 24
REO Speedwagon In Your Letter 1981 20
REO Speedwagon Keep On Loving You 1981 01
REO Speedwagon Take It On the Run 1981 05
Rex Smith & Rachel Sweet Everlasting Love 1981 32
Rick James Give It to Me Baby 1981 40
Rick James Super Freak (Part 1) 1981 16
Rick Springfield I've Done Everything for You 1981 08
Rick Springfield Jessie's Girl 1981 01
Ringo Starr Wrack My Brain 1981 38
Robbie Patton Don't Give It Up 1981 26
Rod Stewart Passion 1981 05
Rod Stewart Young Turks 1981 05
Rolling Stones Start Me Up 1981 02
Ronnie Milsap (There's) No Gettin' Over Me 1981 05
Ronnie Milsap Smoky Mountain Rain 1981 24
Rosanne Cash Seven Year Ache 1981 22
Rovers (The Irish Rovers) Wasn't That a Party 1981 37
Santana Winning 1981 17
Sheena Easton For Your Eyes Only 1981 04
Sheena Easton Modern Girl 1981 18
Sheena Easton Morning Train (Nine to Five) 1981 01
Silver Condor You Could Take My Heart Away 1981 32
Smokey Robinson Being with You 1981 02
Stacy Lattisaw Love on a Two-Way Street 1981 26
Stanley Clarke & George Duke Sweet Baby 1981 19
Stars On 45 Stars On 45 (Medley) 1981 01
Steely Dan Hey Nineteen 1981 10
Steely Dan Time Out of Mind 1981 22
Stephanie Mills featuring Teddy Pendergrass Two Hearts 1981 40
Steve Miller Band Heart Like a Wheel 1981 24
Steve Winwood While You See a Chance 1981 07
Stevie Nicks with Tom Petty & The Heartbreakers Stop Draggin' My Heart Around
1981 03
Stevie Wonder I Ain't Gonna Stand for It 1981 11
Stevie Woods Steal the Night 1981 25
Styx The Best of Times 1981 03
Styx Too Much Time on My Hands 1981 09
Survivor Poor Man's Son 1981 33
T.G. Sheppard I Loved 'Em Every One 1981 37
Teena Marie I Need Your Lovin' 1981 37
Terri Gibbs Somebody's Knockin' 1981 13
Tierra Together 1981 18
Tom Petty & The Heartbreakers The Waiting 1981 19
Tubes Don't Want to Wait Anymore 1981 35
Whispers It's a Love Thing 1981 28
Who You Better You Bet 1981 18
Yarbrough & Peoples Don't Stop the Music 1981 19
THE GO GO'S - OUR LIPS ARE SEALED (1981) hit #11
Our Lips are Sealed" is a song written by
Go-Go's guitarist
Jane Wiedlin and
Specials and
Fun Boy Three singer
Terry Hall. It was first recorded by
The Go-Go's as the opening track on their 1981 album
Beauty and the Beat and served as their debut
American single. In 1983 Hall's band, The Fun Boy Three,
released it in the UK. In 2000,
Rolling Stone named it one of the 100 Greatest Pop
Songs of all time.
The Go-Go's were supporting The
Specials on the latter's 1980 US tour. According to Wiedlin
she and Hall had an affair despite him having a girlfriend
back in England and this led to their co-writing the song.
The Go-Go's version is significantly more upbeat than the
Fun Boy Three one which Wiedlin describes as "gloomier" -
arguably this reflects their respective points of view of
the relationship.
The video accompanying the Go-Go's recording was an early
favorite of the fledgling
MTV
channel, and helped establish the group's energetic persona.
It features sequences of the band members in carefree
tableaux (riding around in a convertible, stopping at a
lingerie shop and splashing around in a city fountain)
interspersed with footage of the band playing a club
booking.
Jane Wiedlin says the band was initially unenthusiastic
about doing the video when
Miles Copeland, president of their label,
I.R.S. Records, told them they would be doing it. "We
were totally bratty," she recalls. It was funded out of
unused funds in
The Police's video budget.
The concept was for the band to drive around and be
followed by a camera.
Belinda Carlisle would sing, and the other members would
do cute things. They wanted an older-style
convertible and found a 1960 Buick at
Rent-A-Wreck. It was, says Wiedlin, the band's idea to
end the video by jumping into the
Electric Fountain on the corner of Wilshire and Santa
Monica Blvds, Beverly Hills. "I thought, at any minute the
cops are gonna come. This is gonna be so cool."
She still looks back on it fondly. "I have horrible '80s
poodle hair in [it]", she recalled in a 2011 history of MTV.
"But there's a simplicity and innocence to the video that
appeals to me."
Although originally written and performed with three
verses, it is an abbreviated version of the song that
appears on Beauty and the Beat. This version of the
song was released as a
single in June 1981 (see
1981 in music) and peaked at number twenty on the
Billboard
Hot 100 chart, and fifteen on the Billboard
Top Rock Tracks chart. On the dance chart, the song
peaked at number ten. A song of unusual longevity as a hit,
it remained on the Billboard charts for much of 1982
as well, long after its peak
THE MOODY BLUES - THE VOICE (1981) hit #15
The Voice" is the
second single released from
The Moody Blues' 1981 album
Long Distance Voyager. The song continued the success of
previous single "Gemini
Dream", becoming a
Top 40
hit on the
US pop chart, where it peaked at #15 in September 1981. The song had
previously topped the Billboard
Top Tracks chart for four weeks during June–July 1981. It has a
mystical-sounding intro and the song has an urgent, jaunty feel to it,
akin to most of the Moody Blues' later, more commercial efforts.
The Moodies toured the US and Europe during much of 1979. By 1980
they were ready to record again, this time bringing in producer
Pip Williams. Moraz was retained as the band's permanent
keyboardist, though Pinder had originally understood that he would
continue to record even if not touring with the band. Pinder attempted
legal measures to prevent the new Moody Blues album from reaching the
public without his contributions, but he was not successful, and
ultimately, he never returned to the fold. Nevertheless when released in
1981,
Long Distance Voyager was a colossal success, reaching No.1 on
Billboard and going Top 5 in the UK. The album yielded two hits,
"The
Voice", (No.15 US) written by Hayward, and "Gemini
Dream",(No.12 US) written by Hayward and Lodge. John Lodge's
"Talking out of Turn" also charted in the US reaching No.65. Edge
provided "22,000 Days" (featuring Thomas as lead voice with Hayward &
Lodge) while Thomas' own contributions were the final portion of the set
with his singing on the final two songs; "Painted Smile", "Reflective
Smile" (a poem narrated by a DJ friend of the band) and "Veteran Cosmic
Rocker". By now, the mellotron had long been set aside as their primary
keyboard instrument on their studio albums and the band embraced a more
modern, less symphonic approach, though still retaining a lush
keyboard-led sound as Moraz gave a more contemporary edge to their
sound. In live concerts the mellotron would still be used heavily by
Patrick Moraz until the mid-1980s, strikingly also on songs which
originally did not originally feature the mellotron.The marketing
formula for the band demanded from this time forward that a Justin
Hayward song would be used to lead off their studio albums, as his
material was the most popular. Hayward had always written most of their
hit singles, followed by Lodge, however from this point onwards Hayward
had to carry far more of the composing burden, most notably in Pinder's
absence. Also Ray Thomas' song contributions began to diminish soon
after, Hayward and Lodge also then teaming up to provide songs in
addition to their own compositions.
STARS ON 45 - MEDLEY (BEATLES) (1981) hit #1
Stars on 45 was a
Dutch novelty
pop act that was briefly very popular in the
United Kingdom, throughout Europe, the
United States and
Australia in the early 1980s. The group later shortened
its name to Stars On in the U.S., while in the U.K.
and Ireland it was known as Starsound. The band,
which consisted solely of studio session musicians under the
direction of Jaap Eggermont, formerly of
Golden Earring, popularized the
medley, by recreating hit songs as faithfully as
possible and stringing them together, with a common tempo
and relentless underlying drum track. T
The
Beatles soundalikes were established Dutch singers.
John Lennon's parts were sung by Bas Muys of the 1970s
Dutch pop group
Smyle.
Paul McCartney's and
George Harrison's parts were sung by Sandy Coast
frontman Hans Vermeulen and Okkie Huysdens who had worked
with Vermeulen in the band Rainbow Train. Apart from the
recreated songs, an original chorus and hook written by
Eggermont and musical arranger Martin Duiser called "Stars
on 45" was added at intervals to help string differing
sections together. The '45' in the title refers to the
playback speed of a
vinyl record single — 45
rpm, such singles were often simply called "45s". The
female vocalist in the chorus was session singer Jody Pijper
and later recordings also featured uncredited vocals by
Dutch 1970s star Albert West and Arnie Treffers of rock
revival band Long Tall Ernie and the Shakers. The Stars on
45 recordings were made before the birth of digital
recording technology, which meant that each and every song
was recorded separately and the different parts were
subsequently manually pieced together with a pre-recorded
drumloop, using
analog master tapes, in order to create the segued
medleys. The specific drumloop heard on most Stars on 45
recordings is often referred to as the "clap track", due to
its prominent and steady handclaps
In June 1981 the "Stars
on 45 Medley" single also went to #1 in the US where it
was released by Radio Records, a sublabel of
Atlantic Records. The track list for the 7" edit of the
"Stars on 45 Medley" in the US was the names of all the
songs that make up the medley as it appears on the actual
record label
He's a Liar" was the first single from The
Bee Gees album
Living Eyes released in 1981. It had been
approximately 2 years (an eternity in that era) since the
last Bee Gees single had been released and although this
song sounded nothing like the Bee Gees' disco-era singles,
the backlash had pigeonholed the Bee Gees as a disco act and
radio stations were reluctant to play any new Bee Gees
music. After 6 consecutive number-one singles, "He's a Liar"
barely cracked the top 40, peaking at #30 in the US, which
was a far cry from the dizzying heights of their success in
the late '70s.
Unlike the last three Bee Gees albums which
included primarily their established, longstanding studio &
touring band, "He's a Liar" features an array of
studio musicians; Don Felder of The Eagles on lead guitars,
Harold Cowart on Bass, Steve Gadd on Drums and Richard Tee
on Piano, concluding the seasoned rhythm section.
A version with slight longer intro was released on 12
Inch Single and later on the the
Japan only compilation Rare Collection.
The Bee Gees were a musical group founded in 1958.
The group's line-up consisted of brothers
Barry,
Robin, and
Maurice Gibb. The trio were successful for most of their
decades of recording music, but they had two distinct
periods of exceptional success: as a
pop act in the late 1960s/early 1970s, and as prominent
performers of the
disco music era in the late 1970s.
The group sang
three-part
tight harmonies that were instantly recognisable;
Robin's clear
vibrato lead was a hallmark of their earlier hits, while
Barry's
R&B
falsetto became their signature sound during the late
1970s and 1980s. The brothers wrote all of their own hits,
as well as writing and producing several major hits for
other artists.
BILLY JOEL - SAY GOODBYE TO HOLLYWOOD (1981) hit #17
Say Goodbye to Hollywood" is a song written &
performed by
Billy Joel, first released in 1976 on his album
Turnstiles. The song achieved greater recognition in
1981 when a live version from
Songs in the Attic was released as a single. Joel
wrote the song after moving back to
New York City in 1975; he had previously relocated to
Hollywood to see if it would boost his career.
Joel
has stated in his university lectures that he wrote the song
with
Ronnie Spector and
The Ronettes song "Be
My Baby" in mind. Indeed, Joel notes that the two songs
share a very similar beat. Recognizing Joel's tribute,
Ronnie Spector recorded her own cover version of "Say
Goodbye to Hollywood" in 1977, soon after Joel released his
first recording of the song on Turnstiles.
William Martin "Billy" Joel
(born May 9, 1949) is an American
pianist,
singer-songwriter, and
composer. Since releasing his first hit
song, "Piano
Man," in 1973, Joel has become the sixth
best-selling recording artist and the third
best-selling solo artist in the United States,
according to the
RIAA. He also has the third best-selling
album in the United States with his
Greatest Hits Vol. 1 & 2.
Joel had Top
40 hits in the 1970s, 1980s, and 1990s,
achieving 33 Top 40 hits in the United States,
all of which he wrote himself. He is also a
six-time
Grammy Award winner, a 23-time Grammy
nominee and has sold over 150 million records
worldwide. He was inducted into the
Songwriter's Hall of Fame (1992), the
Rock and Roll Hall of Fame (1999), and the
Long Island Music Hall of Fame (2006). In
2008,
Billboard magazine released a list of
the Hot 100 All-Time Top Artists to celebrate
the US singles chart's 50th anniversary, with
Billy Joel positioned at No. 23. With the
exception of the 2007 songs "All
My Life" and "Christmas
in Fallujah," Joel stopped recording
pop/rock material after 1993's
River of Dreams, but he continued to
tour extensively until 2010
THE OUTLAWS - GHOST RIDERS IN THE SKY (1981) hit #31
"(Ghost) Riders in the Sky: A Cowboy Legend" is a
country and
cowboy-style song. It was written on June 5, 1948 by
Stan Jones. A number of versions were
crossover hits on the
pop charts in
1949. The
ASCAP database lists the song as "Riders in the Sky"
(title code: 480028324), but the title has been written as "Ghost
Riders", "Ghost Riders in the Sky", and "A
Cowboy Legend".
The song tells a folk tale of a cowboy
who has a vision of red-eyed, steel-hooved cattle thundering
across the sky, being chased by the spirits of damned
cowboys. One warns him that if he does not change his ways,
he will be doomed to join them, forever "trying to catch the
Devil's herd across these endless skies". Jones said
that he had been told the story when he was 12 years old by
an old cowboy friend. The story resembles the northern
European mythic
Wild Hunt.
The Outlaws are a
southern rock band formed in
Tampa,
Florida in late 1967 by guitarist–vocalist
Hughie Thomasson, drummer David Dix, bassist Phil
Holmberg, guitarists Hobie O'Brien and Frank Guidry, plus
singer Herb Pino. Guidry brought the name Outlaws with him
when he joined (he had been in another group that had that
name).
"Gemini Dream" was written
jointly by the band's lead guitarist
Justin Hayward and bassist
John Lodge, both of whom won an
ASCAP songwriting award for it. While Hayward and Lodge
had collaborated on a duet album outside of the Moody Blues
in 1975 called
Blue Jays, "Gemini Dream" was the first song
performed by the Moody Blues that they had written together.
"Gemini Dream" is also notable for the fact that it was
the first Moody Blues single to feature
Patrick Moraz on keyboards. Moraz had replaced the
original keyboardist
Mike Pinder, who left the band shortly after completion
of their previous album
Octave for personal reasons. Moraz was hired to take
Pinder's place in time for the Moody Blues 1979 "Octave
World Tour." After the tour, Moraz was then retained as a
permanent member of the band, and he recorded with the Moody
Blues up until 1991.
"Gemini Dream" was also the first Moody Blues single
released on
Polydor Records, who had recently acquired
Decca Records. Decca had been the Moody Blues previous
record label.
The Moodies toured the US and Europe during much of 1979. By 1980
they were ready to record again, this time bringing in producer
Pip Williams. Moraz was retained as the band's permanent
keyboardist, though Pinder had originally understood that he would
continue to record even if not touring with the band. Pinder attempted
legal measures to prevent the new Moody Blues album from reaching the
public without his contributions, but he was not successful, and
ultimately, he never returned to the fold. Nevertheless when released in
1981,
Long Distance Voyager was a colossal success, reaching No.1 on
Billboard and going Top 5 in the UK. The album yielded two hits,
"The
Voice", (No.15 US) written by Hayward, and "Gemini
Dream",(No.12 US) written by Hayward and Lodge. John Lodge's
"Talking out of Turn" also charted in the US reaching No.65.
"Start Me Up" was first recorded
during the 1975 sessions for the Rolling Stones' 1976 album
Black and Blue. The song was at first cut as a
reggae-rock track, but after dozens of takes the band
stopped recording it and it was shelved. The band would
again try to re-record "Start Me Up" during the 1978
Some Girls and the 1979
Emotional Rescue sessions under the working titles
"Never Stop" and "Start It Up" respectively. These
recordings would feature a more apparent rock sound,
stripped of the earlier reggae influences.
In 1981, with the band looking to tour, Kimsey proposed
to lead singer
Mick Jagger that archived songs could comprise the set.
While searching through the vaults, Kimsey found the two
takes of the song with a more rock vibe among some fifty
reggae versions. The song opens with what has since become a trademark
riff for Keith Richards. It is this, coupled with
Charlie Watts' steady
backbeat and
Bill Wyman's echoing bass, that comprises most of the
song. Lead guitarist
Ronnie Wood can clearly be heard playing a
layered variation of Richards' main riff (Often live
versions of the song are lengthened by giving Wood a solo
near the middle of the song, pieces of which can be heard
throughout the original recording).
"Start Me Up" peaked at #7 on the
UK Singles Charts in September 1981, where it remains a
significant single as the Rolling Stones have not been back
into the UK top 10 since. In Australia, the song reached #1
in November 1981. In the US, "Start Me Up" spent three weeks
at #2 on the
Billboard Hot 100 chart in October and November 1981,
kept from the summit by "Arthur's
Theme (Best That You Can Do)" by
Christopher Cross and "Private
Eyes" by
Hall & Oates. It also spent 13 weeks atop the
Billboard
Top Tracks chart
JOHN LENNON - WATCHING THE WHEELS (1981) hit #10
Watching the Wheels" is a single by
John Lennon released posthumously in 1981 after his
murder. The
B-side features Yoko's "Yes, I'm Your Angel." It was the
third and final single released from Lennon and
Yoko Ono's
Double Fantasy album, and reached number 10 in the
US and number 30 in the UK.
In "Watching the Wheels"
Lennon addresses those who were confounded by his
"househusband" years, 1975-1980. During this period, he
"retired" from the music industry to concentrate on raising
his son
Sean with Yoko. The acoustic demo of "Watching the
Wheels" is featured in the ending credits to the 2009 film
Funny People. The song features a
hammered dulcimer accompanying the lead piano.
The photograph on the cover was taken by Paul Goresh, a
fan of Lennon who also took the infamous photo of Lennon
signing a copy of Double Fantasy for his killer,
Mark David Chapman. Both photos were taken at the same
place, in front of the
Dakota building, which was the site of his 1980
shooting. Later, Chapman was recorded in police custody
reciting a line "People say I'm Crazy" from the song. This
clip was used by the band
EMF for the track "Lies" on their 1991 album
Schubert Dip, though immediate protests from Yoko
prompted the sample's removal on subsequent pressings
Harrison originally wrote the song with different lyrics for
Ringo Starr to record. Although he recorded it, Starr
felt the vocal was too high for his range and he did not
like the words. Harrison took the track back and, after
Lennon's death, the lyrics were changed to reflect a tribute
to Harrison's lost friend and colleague,
John Lennon. In the song, Harrison makes reference to
The Beatles song "All
You Need Is Love" and the Lennon song "Imagine"
("you were the one who imagined it all").
The recording of the song featured all three remaining
Beatles (Harrison, Starr and
Paul McCartney), though this was expressly a Harrison
single. It is one of only a few non-Beatles songs to feature
three members of the group. Harrison and Starr recorded the
song at Harrison's
Friar Park studios between 19 November 1980 and 25
November 1980. After Lennon's death the following month,
Harrison removed Starr's vocals (but left Starr's drumming
track) and recorded his own vocals with rewritten lyrics
honouring Lennon. McCartney, his wife
Linda and their
Wings bandmate
Denny Laine visited Friar Park to record backing vocals.
The lineup was rounded out by
Al Kooper on
keyboards. The album's liner notes also thank the
Beatles' producer
George Martin and the Beatles' engineer
Geoff Emerick, although what contribution (if any) they
made to the track is unclear
JOHN LENNON - WOMAN (1981) hit #2
Woman" is a song written and performed by
John Lennon from his 1980 album
Double Fantasy. Lennon wrote it as an ode to his
wife
Yoko Ono, and to all women. The track begins with Lennon
whispering, "For the other half of the sky ...", a
paraphrase of a
Chinese proverb, once used by
Mao Zedong.
"Woman" was the second single released
from the Double Fantasy album, and the first Lennon
single issued after his death on 8 December 1980. The
B-side of the single is Ono's song "Beautiful Boys". The
single debuted at number 3 in the UK, then moving to number
2 and finally reaching number 1, where it spent two weeks,
knocking off the top spot his own re-released "Imagine".
In the US the single spent three consecutive weeks at number
2. After its first week at number 2, "Woman" appeared ready
to rise to number one for the week ending 28 March 1981;
however,
Rapture by
Blondie unexpectedly leaped from number 6 to number 1
that week preventing Lennon from having his second chart
topper from Double Fantasy. The single was also a
commercial success in New Zealand where it spent five weeks
at number 1.
In an interview for
Rolling Stone magazine on 5 December 1980, Lennon
said that "Woman" was a "grown-up version" of his song "Girl".
In 1965, Lennon's then-songwriting partner and fellow Beatle
band mate,
Paul McCartney, had written a different song entitled
"Woman" for
Peter & Gordon using a pseudonym. Thus, both Lennon and
McCartney have individual credit for writing different
charting songs with the same title
DIESEL - SAUSALITO SUMMERNIGHT (1981) hit #25
Diesel was a Dutch pop/rock group that became one of
the few Dutch acts to chart in the
U.S. when their song "Sausalito Summernight" entered the
U.S.
Top 40 in 1981.
Diesel was created in October 1978 by
ex-Kayak
drummer
Pim Koopman. The group, at first no more than a hobby
project, initially consisted of Koopman (drums, keyboard and
vocals) and
Rob Vunderink (guitar/lead vocals, composer and
lyricist),
Mark Boon (guitar, composer and lyricist), and
Frank Papendrecht (bass). Their first album,
Watts in a Tank, was released in the
Netherlands in 1980. One of its tracks, "Going Back to
China", was released in the Netherlands as a single in 1979
and became a top 40 hit. Two other singles from this album,
"Down In The Silvermine" and "Sausalito Summernight" (also
misspelled "Sausolito Summernight"), were released in
1980 and also became charted hits. Late 1980 Boon and
Papendrecht left to join Meike Touw's Tutti Frutti. They
were replaced by bass player
Wijnand Ott and guitarist
Hugo de Bruin. Mid 1981 Koopman left the band and
Kim Weemhoff took the drumseat.
In 1981, Watts in a Tank was released in the
United States. The single "Sausalito Summernight" rose
to #25 on the
U.S.
Top 40. It reached #1 in Canada. Watts in a Tank
itself went up to #68 on the
Billboard 200. This success prompted the return of Mark
Boon and an American tour. At Boon's suggestion, guitarist
Bas Krumperman joined the band just before the North
American tour, moving the band's sound in a country-rock
direction. The band got a distribution deal with Atco
Records and recorded another album, Unleaded, in
1982, but it was not a success. In the next few years the
group had many new members, such as
Leen Barbier (guitar/vocals),
André Versluijs (bass),
Jan Loomans (guitar/vocals), and
Henk Hager (guitar/vocals), before disbanding in 1985
ELECTRIC LIGHT ORCHESTRA - HOLD ON TIGHT (1981) hit #10
The song is track twelve on
the band's 1981 album
Time and was the first song released as a single,
becoming ELO's last major hit single. The song went top ten
in most countries, hitting the top spot in Switzerland,
number two in Germany, number four in the UK, and number ten
on the US pop chart, as well as number two on the US rock
chart. It is known for having a verse sung in
French; translated, the verse is essentially a
French-language
reprise of the first verse of the song. It also helped
launch the
roots rock revival of the 1980s.
The previous year,
David Bowie had released his "Ashes
to Ashes"
music video which was considered as the most innovative
to date at that time. But ELO were largely regarded to have
surpassed that with their music video for "Hold On Tight".
At the time it was the most expensive ever made at around
£40,000. It was filmed in
black-and-white and pays homage to old
serial films with ELO playing in the scenes
Electric Light Orchestra (ELO) were a
British rock group from
Birmingham who released eleven studio albums between
1971 and 1986 and another album in 2001. ELO were formed to
accommodate
Roy Wood and
Jeff Lynne's desire to create modern rock and pop songs
with classical overtones. After Wood's departure following
the band's debut record, Lynne wrote and arranged all of the
group's original compositions and produced every album.
A full complement of eight musicians
appeared in the early live performances to include lead
singer Donnie Iris, a drummer, three guitar players, one
keyboardist and at least two backing vocalists, one female &
one male. The song has an infectious, hard-edged driving
beat underscoring a passionate, all-out singing performance
by Donnie Iris himself that well nigh reaches the highest
notes attainable by a human male voice.
Donnie Iris (born Dominic Ierace on
February 28, 1943) is an
American rock musician known for his work with
The Jaggerz and
Wild Cherry during the 1970s, and for his solo albums
during the 1980s. He wrote the #2
Billboard hit, "The
Rapper", with the Jaggerz and was a member of Wild
Cherry after the group had a #1 hit with "Play
That Funky Music."
In addition to performing on the
first three Jaggerz albums and the third and fourth Wild
Cherry albums, Iris as a solo artist has released eleven
studio albums, one EP, two live albums, and two compilation
albums. He continues to release new material and tours
throughout the
Ohio River Valley
THE POLICE - DON'T STAND SO CLOSE TO ME (1981) hit #10
Album:
Zenyatta Mondatta (1980)
I got this album in January 1982 at age 11 as part of my 11 records
for a penny the first time I joined Columbia House record club.
I also got REO Speedwagon, Journey, Joe Jackson, Pat Benatar, Rick
Springfield, Rush etc. My big brother John Lipscomb really liked
the Police and eventually gave me all his records in 1984 when he had
outgrown them all.
The song deals with the
mixed feelings of lust, fear and guilt that a female student
has for a school teacher and vice versa, and
inappropriateness leading to confrontation. The music and
lyrics of the song were written by the lead singer of The
Police,
Sting, who had previously worked as an English teacher.
In a 2001 interview for the concert
DVD
...All This Time, Sting denied that the song is
autobiographical. The line "Just like the old man in
that book by Nabokov" alludes to
Vladimir Nabokov's famous novel
Lolita which covers somewhat similar issues.
"Don't Stand So Close to Me" appeared on The Police's
album
Zenyattà Mondatta (A&M), and became a hit 'No.1' UK
single along with a corresponding
music video. In the
US, it reached the top 10 on the
Billboard Hot 100 chart, peaking at #10. In the UK, the
track was confirmed by the end of 1980 to have been the
biggest selling single of that year.
THE POLICE - DE DO DO DO DE DA DA DA (1981) hit #10
Album:
Zenyatta Mondatta (1980)
I got this album in January 1982 at age 11 as part of my 11 records
for a penny the first time I joined Columbia House record club.
I also got REO Speedwagon, Journey, Joe Jackson, Pat Benatar, Rick
Springfield, Rush etc. My big brother John Lipscomb really liked
the Police and eventually gave me all his records in 1984 when he had
outgrown them all.
De Do Do Do, De Da Da Da" is a song by
The Police, released as a single in December 1980. It
was the second single from the album
Zenyattà Mondatta and a top ten hit in the United
Kingdom and the United States, reaching number five on the
UK Singles Chart and number ten on the
Billboard Hot 100.
According to
Sting, the song is about the attraction that people have
to simple songs:
I was trying to make an intellectual point about how
the simple can be so powerful. Why are our favourite
songs 'Da
Doo Ron Ron' and 'Do
Wah Diddy Diddy'? In the song, I tried to
address that issue. But everyone said, 'This is
bullshit, child's play.' No one listened to the
lyrics. Listen to the lyrics. I'm going to remake it
again and put more emphasis on what I was talking
about.
—Sting, Rolling Stone, 2/1988
The song was prominently featured in the 1982 film,
The Last American Virgin, and on its soundtrack.
THE POLICE - EVERY LITTLE THING SHE DOES IS MAGIC (1981) hit #3
Album:
Ghost In The Machine (1981)
I got this album in 1982 as part of my monthly pick through Columbia
House record club. My big brother John Lipscomb really liked
the Police and eventually gave me all his records in 1984 when he had
outgrown them all.
Although recorded in 1981,
Sting wrote the song as early as 1976. An early (1977)
demo of the song can be heard on the
Strontium 90 album
Strontium 90: Police Academy. The piano part was
added by session keyboardist Jean Roussel, whom Sting
invited to play on the track against the wishes of his
bandmates
Andy Summers and
Stewart Copeland.
Sting reprised the lyrics of the second verse to the end
of the song "O My God" issued on the
band's next album. These lyrics were repeated once more
in "Seven Days" on Sting's solo album
Ten Summoner's Tales