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BILLBOARD - 1981

This is an alphabetical artist list of every song to make the top 40 during any given week during this year and its peak highest position reached on the national charts in USA

What are your favorite songs on this list?

My personal favorites are listed at the very bottom :  hoknes@hotmail.com

38 Special Hold on Loosely 1981 27
A Taste of Honey Sukiyaki 1981 03
Abba The Winner Takes It All 1981 08
AC/DC Back In Black 1981 37
Afternoon Delights General Hospi-Tale 1981 33
Air Supply Every Woman in the World 1981 05
Air Supply Here I Am (Just When I Thought I Was Over You) 1981 05
Air Supply The One That You Love 1981 01
Al Jarreau We're in This Love Together 1981 15
Alabama Feels So Right 1981 20
Alan Parsons Project Games People Play 1981 16
Alan Parsons Project Time 1981 15
Allman Brothers Band Straight From the Heart 1981 39
Andy Gibb Me (Without You) 1981 40
Andy Gibb Time Is Time 1981 15
Anne Murray Blessed Are the Believers 1981 34
April Wine Just Between You and Me 1981 21
Atlanta Rhythm Section Alien 1981 29
Balance Breaking Away 1981 22
Barbra Streisand & Barry Gibb Guilty 1981 03
Barbra Streisand & Barry Gibb What Kind Of Fool 1981 10
Barry Manilow I Made It Through the Rain 1981 10
Barry Manilow The Old Songs 1981 15
Beach Boys The Beach Boys Medley 1981 12
Bee Gees He's a Liar 1981 30
Bette Midler My Mother's Eyes 1981 39
Billy & The Beaters (Billy Vera) I Can Take Care of Myself 1981 39
Billy Joel Say Goodbye to Hollywood 1981 17
Billy Squier In the Dark 1981 35
Billy Squier The Stroke 1981 17
Blondie Rapture 1981 01
Blondie The Tide Is High 1981 01
Blue Oyster Cult Burning for You 1981 40
Blues Brothers Who's Making Love 1981 39
Bob Seger & The Silver Bullet Band Tryin' to Live My Life Without You 1981 05
Boz Scaggs Miss Sun 1981 14
Bruce Springsteen Fade Away 1981 20
Burton Cummings You Saved My Soul 1981 37
Carl Carlton She's a Bad Mama Jama (She's Built, She's Stacked) 1981 22
Carole Bayer Sager Stronger Than Before 1981 30
Carpenters Touch Me When We're Dancing 1981 16
Champaign How 'Bout Us 1981 12
Chilliwack My Girl (Gone, Gone, Gone) 1981 22
Chris Christian I Want You, I Need You 1981 37
Christopher Cross Arthur's Theme (Best That You Can Do) 1981 01
Christopher Cross Say You'll Be Mine 1981 20
Cliff Richard A Little in Love 1981 17
Climax Blues Band I Love You 1981 12
Commodores Lady (You Bring Me Up) 1981 08
Commodores Oh No 1981 04
Con Funk Shun Too Tight 1981 40
Dan Fogelberg Hard To Say 1981 07
Dan Fogelberg Same Old Lang Syne 1981 09
Daryl Hall & John Oates Kiss On My List 1981 01
Daryl Hall & John Oates Private Eyes 1981 01
Daryl Hall & John Oates You Make My Dreams 1981 05
Delbert McClinton Giving It Up for Your Love 1981 08
Diana Ross It's My Turn 1981 09
Diana Ross Why Do Fools Fall in Love? 1981 07
Diana Ross & Lionel Richie Endless Love 1981 01
Diesel Sausalito Summernight 1981 25
Dolly Parton 9 to 5 1981 01
Don McLean Castles in the Air 1981 36
Don McLean Crying 1981 05
Don McLean Since I Don't Have You 1981 23
Donna Summer Cold Love 1981 33
Donna Summer Who Do You Think You're Foolin' 1981 40
Donnie Iris Ah! Leah! 1981 29
Doobie Brothers One Step Closer 1981 24
Dottie West with Kenny Rogers What Are We Doin' in Love 1981 14
Eagles Seven Bridges Road 1981 21
Earth, Wind & Fire Let's Groove 1981 03
Eddie Rabbitt I Love A Rainy Night 1981 01
Eddie Rabbitt Step by Step 1981 05
Electric Light Orchestra Hold on Tight 1981 10
Electric Light Orchestra Twilight 1981 38
Elton John Chloe 1981 34
Elton John Nobody Wins 1981 21
Elvis Presley Guitar Man 1981 28
Emmylou Harris Mister Sandman 1981 37
Eric Clapton & His Band I Can't Stand It 1981 10
Evelyn "Champagne" King I'm in Love 1981 40
Firefall Staying with It 1981 37
Foreigner Urgent 1981 04
Foreigner Waiting for a Girl Like You 1981 02
Four Tops When She Was My Girl 1981 11
Franke & The Knockouts Sweetheart 1981 10
Franke & The Knockouts You're My Girl 1981 27
Frankie Smith Double Dutch Bus 1981 30
Fred Knoblock & Susan Anton Killin' Time 1981 28
Gary "U.S." Bonds This Little Girl 1981 11
Gary Wright Really Wanna Know You 1981 16
Genesis No Reply at All 1981 29
George Harrison All Those Years Ago 1981 02
Get Wet Just So Lonely 1981 39
Gino Vannelli Living Inside Myself 1981 06
Go-Gos Our Lips Are Sealed 1981 20
Greg Kihn Band The Breakup Song (They Don't Write 'Em) 1981 15
Grover Washington, Jr. with Bill Withers Just the Two of Us 1981 02
Heart Tell It Like It Is 1981 08
Jacksons Heartbreak Hotel 1981 22
James Taylor & J.D. Souther Her Town Too 1981 11
Jefferson Starship Find Your Way Back 1981 29
Jesse Winchester Say What 1981 32
Jim Photoglo Fool in Love with You 1981 25
Jim Steinman Rock and Roll Dreams Come Through 1981 32
Joe Valino    A Life of Illusion 1981 34
Joey Scarbury Theme from "The Greatest American Hero" (Believe It or Not) 1981 02
John Cougar Mellencamp Ain't Even Done with the Night 1981 17
John Denver Some Days Are Diamonds (Some Days Are Stone) 1981 36
John Lennon Watching the Wheels 1981 10
John Lennon Woman 1981 02
John O'Banion Love You Like I Never Loved Before 1981 24
John Schneider It's Now or Never 1981 14
Journey Don't Stop Believin' 1981 09
Journey The Party's Over (Hopelessly in Love) 1981 34
Journey Who's Crying Now 1981 04
Juice Newton Angel of the Morning 1981 04
Juice Newton Queen of Hearts 1981 02
Kenny Rogers I Don't Need You 1981 03
Kenny Rogers Share Your Love with Me 1981 14
Kim Carnes Bette Davis Eyes 1981 01
Kim Carnes Draw of the Cards 1981 28
Kool & The Gang Celebration 1981 01
Kool & The Gang Jones vs. Jones 1981 39
Kool & The Gang Take My Heart (You Can Have It If You Want It) 1981 17
L.T.D. Shine On 1981 40
Lee Ritenour Is It You 1981 15
Leo Sayer Living in a Fantasy 1981 23
Little River Band The Night Owls 1981 06
Loverboy Turn Me Loose 1981 35
Lulu I Could Never Miss You (More Than I Do) 1981 18
Luther Vandross Never Too Much 1981 33
Manhattan Transfer The Boy from New York City 1981 07
Marty Balin Atlanta Lady (Something About Your Love) 1981 27
Marty Balin Hearts 1981 08
Michael Stanley Band He Can't Love You 1981 33
Mike Post The Theme from "Hill Street Blues" 1981 10
Moody Blues Gemini Dream 1981 12
Moody Blues The Voice 1981 15
Neil Diamond America 1981 08
Neil Diamond Hello Again 1981 06
Neil Diamond Love on the Rocks 1981 02
Oak Ridge Boys Elvira 1981 05
Olivia Newton-John Physical 1981 01
Olivia Newton-John & Cliff Richard Suddenly 1981 20
Outlaws (Ghost) Riders In the Sky 1981 31
Pablo Cruise Cool Love 1981 13
Pat Benatar Fire and Ice 1981 17
Pat Benatar Promises In the Dark 1981 38
Pat Benatar Treat Me Right 1981 18
Phil Collins I Missed Again 1981 19
Phil Collins In the Air Tonight 1981 19
Phil Seymour Precious to Me 1981 22
Point Blank Nicole 1981 39
Pointer Sisters Slow Hand 1981 02
Police De Do Do Do, De Da Da Da 1981 10
Police Don't Stand So Close to Me 1981 10
Police Every Little Thing She Does Is Magic 1981 03
Pure Prairie League Still Right Here in My Heart 1981 28
Quincy Jones featuring Dune Ai No Corrida (I-No-Ko-ree-da) 1981 28
Quincy Jones featuring James Ingram Just Once 1981 17
Randy Meisner Hearts On Fire 1981 19
Ray Parker, Jr. & Raydio A Woman Needs Love (Just Like You Do) 1981 04
Ray Parker, Jr. & Raydio That Old Song 1981 21
REO Speedwagon Don't Let Him Go 1981 24
REO Speedwagon In Your Letter 1981 20
REO Speedwagon Keep On Loving You 1981 01
REO Speedwagon Take It On the Run 1981 05
Rex Smith & Rachel Sweet Everlasting Love 1981 32
Rick James Give It to Me Baby 1981 40
Rick James Super Freak (Part 1) 1981 16
Rick Springfield I've Done Everything for You 1981 08
Rick Springfield Jessie's Girl 1981 01
Ringo Starr Wrack My Brain 1981 38
Robbie Patton Don't Give It Up 1981 26
Rod Stewart Passion 1981 05
Rod Stewart Young Turks 1981 05
Rolling Stones Start Me Up 1981 02
Ronnie Milsap (There's) No Gettin' Over Me 1981 05
Ronnie Milsap Smoky Mountain Rain 1981 24
Rosanne Cash Seven Year Ache 1981 22
Rovers (The Irish Rovers) Wasn't That a Party 1981 37
Santana Winning 1981 17
Sheena Easton For Your Eyes Only 1981 04
Sheena Easton Modern Girl 1981 18
Sheena Easton Morning Train (Nine to Five) 1981 01
Silver Condor You Could Take My Heart Away 1981 32
Smokey Robinson Being with You 1981 02
Stacy Lattisaw Love on a Two-Way Street 1981 26
Stanley Clarke & George Duke Sweet Baby 1981 19
Stars On 45 Stars On 45 (Medley) 1981 01
Steely Dan Hey Nineteen 1981 10
Steely Dan Time Out of Mind 1981 22
Stephanie Mills featuring Teddy Pendergrass Two Hearts 1981 40
Steve Miller Band Heart Like a Wheel 1981 24
Steve Winwood While You See a Chance 1981 07
Stevie Nicks with Tom Petty & The Heartbreakers Stop Draggin' My Heart Around 1981 03
Stevie Wonder I Ain't Gonna Stand for It 1981 11
Stevie Woods Steal the Night 1981 25
Styx The Best of Times 1981 03
Styx Too Much Time on My Hands 1981 09
Survivor Poor Man's Son 1981 33
T.G. Sheppard I Loved 'Em Every One 1981 37
Teena Marie I Need Your Lovin' 1981 37
Terri Gibbs Somebody's Knockin' 1981 13
Tierra Together 1981 18
Tom Petty & The Heartbreakers The Waiting 1981 19
Tubes Don't Want to Wait Anymore 1981 35
Whispers It's a Love Thing 1981 28
Who You Better You Bet 1981 18
Yarbrough & Peoples Don't Stop the Music 1981 19
 

    THE GO GO'S - OUR LIPS ARE SEALED (1981) hit #11
Our Lips are Sealed" is a song written by Go-Go's guitarist Jane Wiedlin and Specials and Fun Boy Three singer Terry Hall. It was first recorded by The Go-Go's as the opening track on their 1981 album Beauty and the Beat and served as their debut American single. In 1983 Hall's band, The Fun Boy Three, released it in the UK. In 2000, Rolling Stone named it one of the 100 Greatest Pop Songs of all time.

The Go-Go's were supporting The Specials on the latter's 1980 US tour. According to Wiedlin she and Hall had an affair despite him having a girlfriend back in England and this led to their co-writing the song. The Go-Go's version is significantly more upbeat than the Fun Boy Three one which Wiedlin describes as "gloomier" - arguably this reflects their respective points of view of the relationship.

The video accompanying the Go-Go's recording was an early favorite of the fledgling MTV channel, and helped establish the group's energetic persona. It features sequences of the band members in carefree tableaux (riding around in a convertible, stopping at a lingerie shop and splashing around in a city fountain) interspersed with footage of the band playing a club booking.

Jane Wiedlin says the band was initially unenthusiastic about doing the video when Miles Copeland, president of their label, I.R.S. Records, told them they would be doing it. "We were totally bratty," she recalls. It was funded out of unused funds in The Police's video budget.

The concept was for the band to drive around and be followed by a camera. Belinda Carlisle would sing, and the other members would do cute things. They wanted an older-style convertible and found a 1960 Buick at Rent-A-Wreck. It was, says Wiedlin, the band's idea to end the video by jumping into the Electric Fountain on the corner of Wilshire and Santa Monica Blvds, Beverly Hills. "I thought, at any minute the cops are gonna come. This is gonna be so cool."

She still looks back on it fondly. "I have horrible '80s poodle hair in [it]", she recalled in a 2011 history of MTV. "But there's a simplicity and innocence to the video that appeals to me."

Although originally written and performed with three verses, it is an abbreviated version of the song that appears on Beauty and the Beat. This version of the song was released as a single in June 1981 (see 1981 in music) and peaked at number twenty on the Billboard Hot 100 chart, and fifteen on the Billboard Top Rock Tracks chart. On the dance chart, the song peaked at number ten. A song of unusual longevity as a hit, it remained on the Billboard charts for much of 1982 as well, long after its peak

 

    THE MOODY BLUES - THE VOICE (1981) hit #15

The Voice" is the second single released from The Moody Blues' 1981 album Long Distance Voyager. The song continued the success of previous single "Gemini Dream", becoming a Top 40 hit on the US pop chart, where it peaked at #15 in September 1981. The song had previously topped the Billboard Top Tracks chart for four weeks during June–July 1981. It has a mystical-sounding intro and the song has an urgent, jaunty feel to it, akin to most of the Moody Blues' later, more commercial efforts.

The Moodies toured the US and Europe during much of 1979. By 1980 they were ready to record again, this time bringing in producer Pip Williams. Moraz was retained as the band's permanent keyboardist, though Pinder had originally understood that he would continue to record even if not touring with the band. Pinder attempted legal measures to prevent the new Moody Blues album from reaching the public without his contributions, but he was not successful, and ultimately, he never returned to the fold. Nevertheless when released in 1981, Long Distance Voyager was a colossal success, reaching No.1 on Billboard and going Top 5 in the UK. The album yielded two hits, "The Voice", (No.15 US) written by Hayward, and "Gemini Dream",(No.12 US) written by Hayward and Lodge. John Lodge's "Talking out of Turn" also charted in the US reaching No.65. Edge provided "22,000 Days" (featuring Thomas as lead voice with Hayward & Lodge) while Thomas' own contributions were the final portion of the set with his singing on the final two songs; "Painted Smile", "Reflective Smile" (a poem narrated by a DJ friend of the band) and "Veteran Cosmic Rocker". By now, the mellotron had long been set aside as their primary keyboard instrument on their studio albums and the band embraced a more modern, less symphonic approach, though still retaining a lush keyboard-led sound as Moraz gave a more contemporary edge to their sound. In live concerts the mellotron would still be used heavily by Patrick Moraz until the mid-1980s, strikingly also on songs which originally did not originally feature the mellotron.The marketing formula for the band demanded from this time forward that a Justin Hayward song would be used to lead off their studio albums, as his material was the most popular. Hayward had always written most of their hit singles, followed by Lodge, however from this point onwards Hayward had to carry far more of the composing burden, most notably in Pinder's absence. Also Ray Thomas' song contributions began to diminish soon after, Hayward and Lodge also then teaming up to provide songs in addition to their own compositions.

    STARS ON 45 - MEDLEY (BEATLES)  (1981) hit #1
Stars on 45 was a Dutch novelty pop act that was briefly very popular in the United Kingdom, throughout Europe, the United States and Australia in the early 1980s. The group later shortened its name to Stars On in the U.S., while in the U.K. and Ireland it was known as Starsound. The band, which consisted solely of studio session musicians under the direction of Jaap Eggermont, formerly of Golden Earring, popularized the medley, by recreating hit songs as faithfully as possible and stringing them together, with a common tempo and relentless underlying drum track. T

The Beatles soundalikes were established Dutch singers. John Lennon's parts were sung by Bas Muys of the 1970s Dutch pop group Smyle. Paul McCartney's and George Harrison's parts were sung by Sandy Coast frontman Hans Vermeulen and Okkie Huysdens who had worked with Vermeulen in the band Rainbow Train. Apart from the recreated songs, an original chorus and hook written by Eggermont and musical arranger Martin Duiser called "Stars on 45" was added at intervals to help string differing sections together. The '45' in the title refers to the playback speed of a vinyl record single — 45 rpm, such singles were often simply called "45s". The female vocalist in the chorus was session singer Jody Pijper and later recordings also featured uncredited vocals by Dutch 1970s star Albert West and Arnie Treffers of rock revival band Long Tall Ernie and the Shakers. The Stars on 45 recordings were made before the birth of digital recording technology, which meant that each and every song was recorded separately and the different parts were subsequently manually pieced together with a pre-recorded drumloop, using analog master tapes, in order to create the segued medleys. The specific drumloop heard on most Stars on 45 recordings is often referred to as the "clap track", due to its prominent and steady handclaps

In June 1981 the "Stars on 45 Medley" single also went to #1 in the US where it was released by Radio Records, a sublabel of Atlantic Records. The track list for the 7" edit of the "Stars on 45 Medley" in the US was the names of all the songs that make up the medley as it appears on the actual record label

Medley: Intro "Venus" / Sugar, Sugar / No Reply / I'll Be Back / Drive My Car / Do You Want to Know a Secret / We Can Work It Out / I Should Have Known Better / Nowhere Man / You're Going to Lose That Girl / Stars on 45
    THE BEE GEES - HE'S A LIAR (1981) hit #30
He's a Liar" was the first single from The Bee Gees album Living Eyes released in 1981. It had been approximately 2 years (an eternity in that era) since the last Bee Gees single had been released and although this song sounded nothing like the Bee Gees' disco-era singles, the backlash had pigeonholed the Bee Gees as a disco act and radio stations were reluctant to play any new Bee Gees music. After 6 consecutive number-one singles, "He's a Liar" barely cracked the top 40, peaking at #30 in the US, which was a far cry from the dizzying heights of their success in the late '70s.

Unlike the last three Bee Gees albums which included primarily their established, longstanding studio & touring band, "He's a Liar" features an array of studio musicians; Don Felder of The Eagles on lead guitars, Harold Cowart on Bass, Steve Gadd on Drums and Richard Tee on Piano, concluding the seasoned rhythm section.

A version with slight longer intro was released on 12 Inch Single and later on the the Japan only compilation Rare Collection.

The Bee Gees were a musical group founded in 1958. The group's line-up consisted of brothers Barry, Robin, and Maurice Gibb. The trio were successful for most of their decades of recording music, but they had two distinct periods of exceptional success: as a pop act in the late 1960s/early 1970s, and as prominent performers of the disco music era in the late 1970s.

The group sang three-part tight harmonies that were instantly recognisable; Robin's clear vibrato lead was a hallmark of their earlier hits, while Barry's R&B falsetto became their signature sound during the late 1970s and 1980s. The brothers wrote all of their own hits, as well as writing and producing several major hits for other artists.

    BILLY JOEL - SAY GOODBYE TO HOLLYWOOD (1981) hit #17
Say Goodbye to Hollywood" is a song written & performed by Billy Joel, first released in 1976 on his album Turnstiles. The song achieved greater recognition in 1981 when a live version from Songs in the Attic was released as a single. Joel wrote the song after moving back to New York City in 1975; he had previously relocated to Hollywood to see if it would boost his career.

Joel has stated in his university lectures that he wrote the song with Ronnie Spector and The Ronettes song "Be My Baby" in mind. Indeed, Joel notes that the two songs share a very similar beat. Recognizing Joel's tribute, Ronnie Spector recorded her own cover version of "Say Goodbye to Hollywood" in 1977, soon after Joel released his first recording of the song on Turnstiles.

William Martin "Billy" Joel (born May 9, 1949) is an American pianist, singer-songwriter, and composer. Since releasing his first hit song, "Piano Man," in 1973, Joel has become the sixth best-selling recording artist and the third best-selling solo artist in the United States, according to the RIAA. He also has the third best-selling album in the United States with his Greatest Hits Vol. 1 & 2.

Joel had Top 40 hits in the 1970s, 1980s, and 1990s, achieving 33 Top 40 hits in the United States, all of which he wrote himself. He is also a six-time Grammy Award winner, a 23-time Grammy nominee and has sold over 150 million records worldwide. He was inducted into the Songwriter's Hall of Fame (1992), the Rock and Roll Hall of Fame (1999), and the Long Island Music Hall of Fame (2006). In 2008, Billboard magazine released a list of the Hot 100 All-Time Top Artists to celebrate the US singles chart's 50th anniversary, with Billy Joel positioned at No. 23. With the exception of the 2007 songs "All My Life" and "Christmas in Fallujah," Joel stopped recording pop/rock material after 1993's River of Dreams, but he continued to tour extensively until 2010

    THE OUTLAWS - GHOST RIDERS IN THE SKY (1981) hit #31
"(Ghost) Riders in the Sky: A Cowboy Legend" is a country and cowboy-style song. It was written on June 5, 1948 by Stan Jones. A number of versions were crossover hits on the pop charts in 1949. The ASCAP database lists the song as "Riders in the Sky" (title code: 480028324), but the title has been written as "Ghost Riders", "Ghost Riders in the Sky", and "A Cowboy Legend".

The song tells a folk tale of a cowboy who has a vision of red-eyed, steel-hooved cattle thundering across the sky, being chased by the spirits of damned cowboys. One warns him that if he does not change his ways, he will be doomed to join them, forever "trying to catch the Devil's herd across these endless skies". Jones said that he had been told the story when he was 12 years old by an old cowboy friend. The story resembles the northern European mythic Wild Hunt.

The Outlaws are a southern rock band formed in Tampa, Florida in late 1967 by guitarist–vocalist Hughie Thomasson, drummer David Dix, bassist Phil Holmberg, guitarists Hobie O'Brien and Frank Guidry, plus singer Herb Pino. Guidry brought the name Outlaws with him when he joined (he had been in another group that had that name).

The Outlaws' earliest well known songs were "There Goes Another Love Song" and "Green Grass and High Tides", both from their 1975 self-titled debut album. Their 1980 cover of "(Ghost) Riders in the Sky" from the album Ghost Riders was their biggest single chart success, reaching #31 on the Billboard "Pop Singles" chart.

    THE MOODY BLUES - GEMINI DREAM (1981) hit #12
Gemini Dream" is a 1981 single by the progressive rock band The Moody Blues. It reached #12 in the U.S. charts. It was the first single released from their 1981 album Long Distance Voyager, which also included "Painted Smile," another track from the album, on the B-side. Two more songs from Long Distance Voyager, "The Voice" and "Talking Out of Turn", were subsequently released as singles after the album's release.

"Gemini Dream" was written jointly by the band's lead guitarist Justin Hayward and bassist John Lodge, both of whom won an ASCAP songwriting award for it. While Hayward and Lodge had collaborated on a duet album outside of the Moody Blues in 1975 called Blue Jays, "Gemini Dream" was the first song performed by the Moody Blues that they had written together.

"Gemini Dream" is also notable for the fact that it was the first Moody Blues single to feature Patrick Moraz on keyboards. Moraz had replaced the original keyboardist Mike Pinder, who left the band shortly after completion of their previous album Octave for personal reasons. Moraz was hired to take Pinder's place in time for the Moody Blues 1979 "Octave World Tour." After the tour, Moraz was then retained as a permanent member of the band, and he recorded with the Moody Blues up until 1991.

"Gemini Dream" was also the first Moody Blues single released on Polydor Records, who had recently acquired Decca Records. Decca had been the Moody Blues previous record label.

The Moodies toured the US and Europe during much of 1979. By 1980 they were ready to record again, this time bringing in producer Pip Williams. Moraz was retained as the band's permanent keyboardist, though Pinder had originally understood that he would continue to record even if not touring with the band. Pinder attempted legal measures to prevent the new Moody Blues album from reaching the public without his contributions, but he was not successful, and ultimately, he never returned to the fold. Nevertheless when released in 1981, Long Distance Voyager was a colossal success, reaching No.1 on Billboard and going Top 5 in the UK. The album yielded two hits, "The Voice", (No.15 US) written by Hayward, and "Gemini Dream",(No.12 US) written by Hayward and Lodge. John Lodge's "Talking out of Turn" also charted in the US reaching No.65.

    THE ROLLING STONES - START ME UP (1981) hit #2
Start Me Up" is a song by The Rolling Stones featured on the 1981 album Tattoo You. Released as the album's lead single, it reached #1 on Australian Kent Music Report, #2 on the Billboard Hot 100 and #7 on the UK Singles Chart.

"Start Me Up" was first recorded during the 1975 sessions for the Rolling Stones' 1976 album Black and Blue. The song was at first cut as a reggae-rock track, but after dozens of takes the band stopped recording it and it was shelved. The band would again try to re-record "Start Me Up" during the 1978 Some Girls and the 1979 Emotional Rescue sessions under the working titles "Never Stop" and "Start It Up" respectively. These recordings would feature a more apparent rock sound, stripped of the earlier reggae influences.

In 1981, with the band looking to tour, Kimsey proposed to lead singer Mick Jagger that archived songs could comprise the set. While searching through the vaults, Kimsey found the two takes of the song with a more rock vibe among some fifty reggae versions. The song opens with what has since become a trademark riff for Keith Richards. It is this, coupled with Charlie Watts' steady backbeat and Bill Wyman's echoing bass, that comprises most of the song. Lead guitarist Ronnie Wood can clearly be heard playing a layered variation of Richards' main riff (Often live versions of the song are lengthened by giving Wood a solo near the middle of the song, pieces of which can be heard throughout the original recording).

"Start Me Up" peaked at #7 on the UK Singles Charts in September 1981, where it remains a significant single as the Rolling Stones have not been back into the UK top 10 since. In Australia, the song reached #1 in November 1981. In the US, "Start Me Up" spent three weeks at #2 on the Billboard Hot 100 chart in October and November 1981, kept from the summit by "Arthur's Theme (Best That You Can Do)" by Christopher Cross and "Private Eyes" by Hall & Oates. It also spent 13 weeks atop the Billboard Top Tracks chart

    JOHN LENNON - WATCHING THE WHEELS (1981) hit #10
Watching the Wheels" is a single by John Lennon released posthumously in 1981 after his murder. The B-side features Yoko's "Yes, I'm Your Angel." It was the third and final single released from Lennon and Yoko Ono's Double Fantasy album, and reached number 10 in the US and number 30 in the UK.

In "Watching the Wheels" Lennon addresses those who were confounded by his "househusband" years, 1975-1980. During this period, he "retired" from the music industry to concentrate on raising his son Sean with Yoko. The acoustic demo of "Watching the Wheels" is featured in the ending credits to the 2009 film Funny People. The song features a hammered dulcimer accompanying the lead piano.

The photograph on the cover was taken by Paul Goresh, a fan of Lennon who also took the infamous photo of Lennon signing a copy of Double Fantasy for his killer, Mark David Chapman. Both photos were taken at the same place, in front of the Dakota building, which was the site of his 1980 shooting. Later, Chapman was recorded in police custody reciting a line "People say I'm Crazy" from the song. This clip was used by the band EMF for the track "Lies" on their 1991 album Schubert Dip, though immediate protests from Yoko prompted the sample's removal on subsequent pressings

Double Fantasy is an album released by John Lennon and his wife, Yoko Ono, in 1980. Though initially poorly received, the album is notable for its association with Lennon's murder three weeks after its release, whereupon it became a worldwide commercial success, and went on to win the 1981 Album of the Year at the 24th Annual Grammy Awards

    GEORGE HARRISON - ALL THOSE YEARS AGO (1981) hit #2
All Those Years Ago" is a song written by George Harrison, released as a single from the album Somewhere in England. The song was a personal tribute to former bandmate John Lennon, who was murdered on 8 December 1980. It was released on 11 May 1981 in the United States, where it spent three weeks at number2 on the Billboard Hot 100 chart, and on 15 May 1981 in the United Kingdom, where it reached number 13 on the UK Singles Chart. In addition, the song spent one week at number 1 on the American adult contemporary chart, Harrison's first number 1 on this chart as a solo artist. It has also been included on two Harrison compilations: Best of Dark Horse 1976–1989 and Let It Roll: Songs by George Harrison, and in a live incarnation on his Live in Japan album. In 2010, AOL radio listeners chose "All Those Years Ago" as one of the 10 Best George Harrison Songs, appearing at number 6 on the list.

Harrison originally wrote the song with different lyrics for Ringo Starr to record. Although he recorded it, Starr felt the vocal was too high for his range and he did not like the words. Harrison took the track back and, after Lennon's death, the lyrics were changed to reflect a tribute to Harrison's lost friend and colleague, John Lennon. In the song, Harrison makes reference to The Beatles song "All You Need Is Love" and the Lennon song "Imagine" ("you were the one who imagined it all").

The recording of the song featured all three remaining Beatles (Harrison, Starr and Paul McCartney), though this was expressly a Harrison single. It is one of only a few non-Beatles songs to feature three members of the group. Harrison and Starr recorded the song at Harrison's Friar Park studios between 19 November 1980 and 25 November 1980. After Lennon's death the following month, Harrison removed Starr's vocals (but left Starr's drumming track) and recorded his own vocals with rewritten lyrics honouring Lennon. McCartney, his wife Linda and their Wings bandmate Denny Laine visited Friar Park to record backing vocals. The lineup was rounded out by Al Kooper on keyboards. The album's liner notes also thank the Beatles' producer George Martin and the Beatles' engineer Geoff Emerick, although what contribution (if any) they made to the track is unclear

    JOHN LENNON - WOMAN (1981) hit #2
Woman" is a song written and performed by John Lennon from his 1980 album Double Fantasy. Lennon wrote it as an ode to his wife Yoko Ono, and to all women. The track begins with Lennon whispering, "For the other half of the sky ...", a paraphrase of a Chinese proverb, once used by Mao Zedong.

"Woman" was the second single released from the Double Fantasy album, and the first Lennon single issued after his death on 8 December 1980. The B-side of the single is Ono's song "Beautiful Boys". The single debuted at number 3 in the UK, then moving to number 2 and finally reaching number 1, where it spent two weeks, knocking off the top spot his own re-released "Imagine". In the US the single spent three consecutive weeks at number 2. After its first week at number 2, "Woman" appeared ready to rise to number one for the week ending 28 March 1981; however, Rapture by Blondie unexpectedly leaped from number 6 to number 1 that week preventing Lennon from having his second chart topper from Double Fantasy. The single was also a commercial success in New Zealand where it spent five weeks at number 1.

In an interview for Rolling Stone magazine on 5 December 1980, Lennon said that "Woman" was a "grown-up version" of his song "Girl". In 1965, Lennon's then-songwriting partner and fellow Beatle band mate, Paul McCartney, had written a different song entitled "Woman" for Peter & Gordon using a pseudonym. Thus, both Lennon and McCartney have individual credit for writing different charting songs with the same title

    DIESEL - SAUSALITO SUMMERNIGHT (1981) hit #25
Diesel was a Dutch pop/rock group that became one of the few Dutch acts to chart in the U.S. when their song "Sausalito Summernight" entered the U.S. Top 40 in 1981.

Diesel was created in October 1978 by ex-Kayak drummer Pim Koopman. The group, at first no more than a hobby project, initially consisted of Koopman (drums, keyboard and vocals) and Rob Vunderink (guitar/lead vocals, composer and lyricist), Mark Boon (guitar, composer and lyricist), and Frank Papendrecht (bass). Their first album, Watts in a Tank, was released in the Netherlands in 1980. One of its tracks, "Going Back to China", was released in the Netherlands as a single in 1979 and became a top 40 hit. Two other singles from this album, "Down In The Silvermine" and "Sausalito Summernight" (also misspelled "Sausolito Summernight"), were released in 1980 and also became charted hits. Late 1980 Boon and Papendrecht left to join Meike Touw's Tutti Frutti. They were replaced by bass player Wijnand Ott and guitarist Hugo de Bruin. Mid 1981 Koopman left the band and Kim Weemhoff took the drumseat.

In 1981, Watts in a Tank was released in the United States. The single "Sausalito Summernight" rose to #25 on the U.S. Top 40. It reached #1 in Canada. Watts in a Tank itself went up to #68 on the Billboard 200. This success prompted the return of Mark Boon and an American tour. At Boon's suggestion, guitarist Bas Krumperman joined the band just before the North American tour, moving the band's sound in a country-rock direction. The band got a distribution deal with Atco Records and recorded another album, Unleaded, in 1982, but it was not a success. In the next few years the group had many new members, such as Leen Barbier (guitar/vocals), André Versluijs (bass), Jan Loomans (guitar/vocals), and Henk Hager (guitar/vocals), before disbanding in 1985

    ELECTRIC LIGHT ORCHESTRA - HOLD ON TIGHT (1981) hit #10
Hold On Tight" is a song written and performed by Electric Light Orchestra.

The song is track twelve on the band's 1981 album Time and was the first song released as a single, becoming ELO's last major hit single. The song went top ten in most countries, hitting the top spot in Switzerland, number two in Germany, number four in the UK, and number ten on the US pop chart, as well as number two on the US rock chart. It is known for having a verse sung in French; translated, the verse is essentially a French-language reprise of the first verse of the song. It also helped launch the roots rock revival of the 1980s.

The previous year, David Bowie had released his "Ashes to Ashes" music video which was considered as the most innovative to date at that time. But ELO were largely regarded to have surpassed that with their music video for "Hold On Tight". At the time it was the most expensive ever made at around £40,000. It was filmed in black-and-white and pays homage to old serial films with ELO playing in the scenes

Electric Light Orchestra (ELO) were a British rock group from Birmingham who released eleven studio albums between 1971 and 1986 and another album in 2001. ELO were formed to accommodate Roy Wood and Jeff Lynne's desire to create modern rock and pop songs with classical overtones. After Wood's departure following the band's debut record, Lynne wrote and arranged all of the group's original compositions and produced every album.

 

    DONNIE IRIS - AH LEAH (1981) hit #19
Ah! Leah!" is a song by American rock musician Donnie Iris from his 1980 album Back on the Streets. The song was released as a single in late-1980 and reached #29 on the U.S. Billboard Hot 100 chart and #19 on the U.S. Billboard Top Tracks chart.

A full complement of eight musicians appeared in the early live performances to include lead singer Donnie Iris, a drummer, three guitar players, one keyboardist and at least two backing vocalists, one female & one male. The song has an infectious, hard-edged driving beat underscoring a passionate, all-out singing performance by Donnie Iris himself that well nigh reaches the highest notes attainable by a human male voice.

The title of the song has been referenced in the form of puns on a few of Iris' later albums - the 2009 live album Ah! Live! and the 2010 Christmas album Ah! Leluiah!.  

Donnie Iris (born Dominic Ierace on February 28, 1943) is an American rock musician known for his work with The Jaggerz and Wild Cherry during the 1970s, and for his solo albums during the 1980s. He wrote the #2 Billboard hit, "The Rapper", with the Jaggerz and was a member of Wild Cherry after the group had a #1 hit with "Play That Funky Music."

In addition to performing on the first three Jaggerz albums and the third and fourth Wild Cherry albums, Iris as a solo artist has released eleven studio albums, one EP, two live albums, and two compilation albums. He continues to release new material and tours throughout the Ohio River Valley

 

    THE POLICE - DON'T STAND SO CLOSE TO ME (1981) hit #10

Album: Zenyatta Mondatta (1980)

I got this album in January 1982 at age 11 as part of my 11 records for a penny the first time I joined Columbia House record club.   I also got REO Speedwagon, Journey, Joe Jackson, Pat Benatar, Rick Springfield, Rush etc.  My big brother John Lipscomb really liked the Police and eventually gave me all his records in 1984 when he had outgrown them all. 

Don't Stand So Close to Me" (also called "Don't Stand So Close" or "Don't Stand") is a 1980 song and hit single by the British rock band The Police. It concerns a schoolgirl's crush on her young teacher and the teacher's nervousness about the situation. The Police won the 1982 "Grammy Award for Best Rock Performance by a Duo or Group with Vocal" for this song. A re-recorded version of the song was released in 1986 as "Don't Stand So Close to Me '86".

The song deals with the mixed feelings of lust, fear and guilt that a female student has for a school teacher and vice versa, and inappropriateness leading to confrontation. The music and lyrics of the song were written by the lead singer of The Police, Sting, who had previously worked as an English teacher. In a 2001 interview for the concert DVD ...All This Time, Sting denied that the song is autobiographical. The line "Just like the old man in that book by Nabokov" alludes to Vladimir Nabokov's famous novel Lolita which covers somewhat similar issues.

"Don't Stand So Close to Me" appeared on The Police's album Zenyattà Mondatta (A&M), and became a hit 'No.1' UK single along with a corresponding music video. In the US, it reached the top 10 on the Billboard Hot 100 chart, peaking at #10. In the UK, the track was confirmed by the end of 1980 to have been the biggest selling single of that year.

    THE POLICE - DE DO DO DO DE DA DA DA (1981) hit #10

Album: Zenyatta Mondatta (1980)

I got this album in January 1982 at age 11 as part of my 11 records for a penny the first time I joined Columbia House record club.   I also got REO Speedwagon, Journey, Joe Jackson, Pat Benatar, Rick Springfield, Rush etc.  My big brother John Lipscomb really liked the Police and eventually gave me all his records in 1984 when he had outgrown them all. 

De Do Do Do, De Da Da Da" is a song by The Police, released as a single in December 1980. It was the second single from the album Zenyattà Mondatta and a top ten hit in the United Kingdom and the United States, reaching number five on the UK Singles Chart and number ten on the Billboard Hot 100.

According to Sting, the song is about the attraction that people have to simple songs:

I was trying to make an intellectual point about how the simple can be so powerful. Why are our favourite songs 'Da Doo Ron Ron' and 'Do Wah Diddy Diddy'? In the song, I tried to address that issue. But everyone said, 'This is bullshit, child's play.' No one listened to the lyrics. Listen to the lyrics. I'm going to remake it again and put more emphasis on what I was talking about.
—Sting, Rolling Stone, 2/1988

The song was prominently featured in the 1982 film, The Last American Virgin, and on its soundtrack.

    THE POLICE - EVERY LITTLE THING SHE DOES IS MAGIC (1981) hit #3

Album: Ghost In The Machine (1981)

I got this album in 1982 as part of my monthly pick through Columbia House record club.   My big brother John Lipscomb really liked the Police and eventually gave me all his records in 1984 when he had outgrown them all. 

Every Little Thing She Does Is Magic" is a song by British rock group The Police from their album Ghost in the Machine. It was also a hit single that reached the top of the charts in the United Kingdom in November 1981 and hit number three on the U.S. Billboard Hot 100 chart that same year.

Although recorded in 1981, Sting wrote the song as early as 1976. An early (1977) demo of the song can be heard on the Strontium 90 album Strontium 90: Police Academy. The piano part was added by session keyboardist Jean Roussel, whom Sting invited to play on the track against the wishes of his bandmates Andy Summers and Stewart Copeland.

Sting reprised the lyrics of the second verse to the end of the song "O My God" issued on the band's next album. These lyrics were repeated once more in "Seven Days" on Sting's solo album Ten Summoner's Tales