Hat Trick is the third original studio album by American folk rock trio America, released by Warner Bros. Records in 1973. The album was a modest hit in the US, peaking at 28 on the Billboard album chart, although it failed to go gold, whereas the group's first two releases had platinum sales. It produced one minor hit single, "Muskrat Love" which reached 67 on the Billboard singles chart and 11 on the Adult Contemporary chart. The title track is the only song written by all three members of America.

America is an English-American folk rock band, that originally consisted of Gerry Beckley, Dewey Bunnell and Dan Peek. The three members were barely out of their teens, when they became a musical sensation during 1972, scoring No. 1 hits and winning a Grammy for best new musical artist. Their recording success stretched throughout the 1970s; some of the band's best known songs are "A Horse with No Name", "Sister Golden Hair" (both of which reached No. 1), "Ventura Highway", "Tin Man", "Daisy Jane", and "Lonely People". George Martin produced seven of their albums.

In the fall of 1980, REO Speedwagon released Hi Infidelity, which represented a change in the music from hard rock to more pop-oriented material. Hi Infidelity spawned four hit singles written by Richrath and Cronin, including the #1 "Keep On Loving You" (Cronin), the #5 "Take It on the Run" (Richrath), "In Your Letter" (#20) (Richrath), and "Don't Let Him Go" (#24) (Cronin), and remained on the charts for 65 weeks, 32 of which were spent in the top ten, including 15 weeks atop the Billboard 200. Hi Infidelity sold over 10 million copies and set the bar for rock bands across the country. Good Trouble (1982) and Wheels Are Turnin' (1984) were follow-up albums which also did well commercially, the former containing the hit singles "Keep the Fire Burnin'" (U.S. #7), "Sweet Time" (U.S. #26) and the un-ranked "The Key" and the latter containing the #1 hit single "Can't Fight This Feeling" plus three more hits: "I Do' Wanna Know" (U.S. #29), "One Lonely Night" (U.S. #19), "Live Every Moment" (U.S. #34) and the un-ranked "Break His Spell".

On July 13, 1985, the band made a stop in Philadelphia (en route to a show in Milwaukee) to play at the US Leg of Live Aid, which broke a record for number of viewers. They performed "Can't Fight This Feeling" and "Roll With the Changes", which featured members of the Beach Boys, the REO Speedwagon band members' families, and Paul Shaffer on stage for backing vocals. 1987's Life as We Know It saw a decline in sales, but still managed to provide the band with the hits "That Ain't Love" (U.S. #16) and "In My Dreams" (U.S. #19).

A View to a Kill" is the thirteenth single by Duran Duran, released in May 1985.

It was a stand-alone single, created for the James Bond movie A View to a Kill, and it remains the only James Bond theme song to have reached number 1 on the Billboard Hot 100; it also made it to number 2 for three weeks on the UK Singles Chart. In 1986, John Barry and Duran Duran were nominated for the Golden Globe Award for Best Original Song for A View to a Kill.

The song was the last track that the original five members of Duran Duran recorded together until their reunion sixteen years later, in 2001. It was played at their final 1985 performance together before splitting for the very first time, at Live Aid in Philadelphia. The single was at number 1 on the Billboard Hot 100 at the time they performed it on that historic event.   The song was written by Duran Duran and John Barry, and recorded at Maison Rouge Studio and CTS Studio in London with a 60-piece orchestra.

Duran Duran were chosen to do the song after bassist John Taylor (a lifelong Bond fan) approached producer Cubby Broccoli at a party, and somewhat drunkenly asked "When are you going to get someone decent to do one of your theme songs?" This inauspicious beginning led to some serious talks, and the band was introduced to Bond composer John Barry, and also Jonathan Elias (whom Duran Duran members would later work with many times). An early writing meeting at Taylor's flat in Knightsbridge led to everyone getting drunk instead of composing.

Singer Simon Le Bon said of Barry: "He didn't really come up with any of the basic musical ideas. He heard what we came up with and he put them into an order. And that's why it happened so quickly because he was able to separate the good ideas from the bad ones, and he arranged them. He has a great way of working brilliant chord arrangements. He was working with us as virtually a sixth member of the group, but not really getting on our backs at all."

The song was finally completed in April 1985, and was released in May 1985, and on July 13 it hit number one on the U.S. Billboard Hot 100 chart, and still currently remains the only Bond theme to do so

The Goonies 'R' Good Enough" is a song by American singer Cyndi Lauper. It was released as a single for The Goonies, a 1985 film which was released around the same time as the single. It was her fifth Top 10 single on the Hot 100, her first since "Money Changes Everything".

Before its inclusion on The Essential Cyndi Lauper in 2003, the song never appeared on any of Lauper's albums or the 1994 compilation Twelve Deadly Cyns...and Then Some. Lauper admitted in an interview with Matthew Rettenmund that she hated the song, which was why she had chosen not to include it on her first compilation. All versions of the UK edition are considered rare, especially the 12".

Steven Spielberg had made Cyndi the musical director for The Goonies soundtrack. She sought out new bands to be included on the project including her friends, The Bangles.

The official title of the song is just "Good Enough", as is the way Cyndi had titled it when it was written and the way she announced it at concerts. She never said the 'new' title, "The Goonies 'R' Good Enough", at any concert. It was changed, only in name, because Warner Brothers Studio insisted that the marketing pointed towards the film and that is when "The Goonies 'R'" was tacked on to the title of the song.

There was also a two-part video shot for this song featuring World Wrestling Federation pro-wrestlers André the Giant, Captain Lou Albano, Rowdy Roddy Piper, Wendy Richter, The Fabulous Moolah, The Iron Sheik, Nikolai Volkoff, Freddie Blassie; Steven Spielberg; David Wolffe (Lauper's manager); The Goonies cast (except for Kerri Green, Anne Ramsey, Joe Pantoliano, Robert Davi and John Matuszak); and the then relatively unknown Bangles as a group of female pirates. Lauper's mother appears as "Cyndi's mother" and the "sea hag".

The Greatest Love of All" is a song written by Michael Masser and Linda Creed and originally recorded by George Benson for the 1977 Muhammad Ali biopic The Greatest. The song was later popularized by Whitney Houston. Creed wrote the lyrics in the midst of her struggle with breast cancer. The words describe her feelings about coping with great challenges that one must face in life, being strong during those challenges whether you succeed or fail, and passing that strength on to children to carry with them into their adult lives. Creed eventually succumbed to the disease in April 1986 at the age of 36; at the time her song was an international hit by Whitney Houston.

The song received critical acclaim and became a big hit, topping the charts in Australia, Canada and the US, while reaching the top 20 in most countries, including Italy, Sweden and UK. It remains her third biggest US hit, after "I Will Always Love You" and "I Wanna Dance with Somebody (Who Loves Me)". All three songs, in order of their former popularity, re-entered the Billboard Hot 100 chart, after Houston's death, debuting the same week at numbers 7, 35 and 41, respectively, giving Houston three posthumous chart hits.

Clive Davis, founder of Houston's label Arista Records, was initially against Houston recording the song for her debut studio album, Whitney Houston, but he eventually gave in after persuasion from Houston and Masser. It was released as the B-side to the single "You Give Good Love", a previous Top 5 hit by Houston. The song was eventually released as a single in its own right. The song, released in April 1986, was the seventh release from Houston's debut album, and spent three weeks at #1 on the Billboard Hot 100 chart in May of that year.

Houston's album version features a piano intro, while the single version begins with a keyboard intro. After the single became a success, it replaced the original album version on subsequent pressings of the album. However, the original version was restored for the 2010 Deluxe Anniversary Edition reissue of the album.

Venus" had been a part of Bananarama's repertoire for several years before they actually recorded it. The team's three members, Sara Dallin, Siobhan Fahey, and Keren Woodward, had the idea of turning the song into a dance music tune, but they were met with resistance from their producers at the time, Steve Jolley and Tony Swain. Bananarama brought the idea to the production trio of Stock Aitken Waterman, and it became Bananarama's first collaboration with them.

Dallin, Fahey, and Woodward had nearly completed recording their third album, titled True Confessions, with Jolley and Swain. Stock, Aitken and Waterman also resisted the idea because they believed that "Venus" would not make a good dance record. After persistence by the women, SAW relented, and the result was a worldwide smash. Bananarama's "Venus" went to number one in the U.S., Canada, Australia, New Zealand, Switzerland, Mexico, and South Africa. It hit number two in Germany and Hong Kong and was a top ten success in Italy, Austria, Belgium, Finland, France, Netherlands, Sweden, Colombia, Norway, Portugal, Spain, and their native UK (#8 on UK Singles Chart). It also went to number one for two weeks on the U.S. Dance chart.

The music video for the song received extensive play on MTV and video channels across the world, and presented Bananarama in various costumes, including a she-devil, a French temptress, a vampiress, and several Grecian goddesses. In one sequence of the video, The Birth of Venus, the painting by Sandro Botticelli, was reenacted. The video marked a pivotal shift towards a more glamorous and sexual image for the girls that contrasted with the tomboyish style in their earlier work. Choreography by Bruno Tonioli. Music video directed by Peter Care.

Don't Dream It's Over" is a song written by Neil Finn and performed by New Zealand-Australian rock band Crowded House released in 1986 from their self-titled debut album. It became the band's biggest international hit, reaching #2 on the Billboard Hot 100.

In May 2001, Australasian Performing Rights Association (Apra) celebrated its 75th anniversary by naming the best New Zealand and best Australian songs of all time, as decided by Apra members and an industry panel. "Don't Dream It's Over" was ranked second on the New Zealand list and seventh on the Australian list. While the Australian listing was considered controversial in New Zealand, it was noted that the band drew members from New Zealand, Australia and America and was formed in Melbourne.

The music video, which features some surreal special effects such as household objects – including shattering crockery – and film reels that float in the air, shows lead singer Neil Finn playing a guitar and walking through the same house during different time periods while his bandmates are either performing household chores or playing various backing instruments. It was nominated for Best Group Video, and Best Direction at the 1987 MTV Video Music Awards, and earned the group a Best New Artist award

Crowded House is a pop rock band formed in Melbourne, Australia in 1985 by lead-vocalist and primary songwriter, New Zealand-born Neil Finn. Other members have included his brother Tim Finn, Australians Paul Hester, Nick Seymour, Eddie Rayner, Peter Jones and Craig Hooper and Americans Mark Hart and Matt Sherrod.Crowded House are referred to as The Crowdies by Australian fans.

Originally active from 1985 to 1996, the band has had consistent commercial and critical success in Australia and New Zealand and international chart success in two phases, beginning with their self titled debut album, Crowded House, which reached number twelve on the US Album Chart in 1987 and provided the Top Ten hits, "Don't Dream It's Over" and "Something So Strong". Queen Elizabeth II bestowed an OBE on both Neil and Tim Finn, in June 1993, for their contribution to the music of New Zealand

Nite and Day" is a 1988 single by Al B. Sure! from the Warner Bros. album In Effect Mode. It reached number seven on the Hot 100 and number one on the Hot R&B/Hip-Hop Singles & Tracks chart.

Albert Joseph Brown III (born June 4, 1968, Boston, Massachusetts) is an American singer, songwriter, and record producer. He grew up in Leonia, New Jersey, and Mount Vernon, New York. During the late 1980s under the stage name Al B. Sure!, he enjoyed a brief run as one of new jack swing's most popular romantic singers and producers.

Brown was a star football quarterback at Mount Vernon High School in New York, who rejected an athletic scholarship to the University of Iowa to pursue a music career. In 1987, Quincy Jones selected Brown as the first winner of the Sony Innovators Talent Search. Subsequently, Brown went on to work with Jones on several projects, most notably the platinum single "The Secret Garden (Sweet Seduction Suite)" from Jones' double-platinum-certified album Back on the Block. On this recording, Brown was one of a quartet with Barry White, El DeBarge, and James Ingram.

His debut album from 1988, In Effect Mode, sold more than two million copies, topping the Billboard R&B chart for seven straight weeks. The album included the single "Nite and Day," which topped the R&B chart and reached No. 7 on the Billboard Hot 100. He received numerous Grammy and American Music Award (AMA) nominations, and won an AMA for Best New R&B Artist. He also received several Soul Train Award nominations, and won the award for Best New Artist. He also won several New York Music Awards. In addition, his 900 phone line was third in generating revenue, following those for New Kids on the Block and Run-D.M.C.

As a writer and producer, Brown introduced the multi-platinum group Jodeci and teen R&B performer Tevin Campbell (also one of Quincy Jones's former protégés), as well as Faith Evans, Dave Hollister, Case, and Usher to the music industry.

Stand" is a song by the American alternative rock band R.E.M., released as the second single from the album Green in 1989. The song quickly rose up the charts, peaking at number six on the Billboard Hot 100, becoming R.E.M.'s second top 10 hit in the United States. The song reached number 48 on the UK Singles Charts. The song reached number 16 in Canada.

The lyrics speak of finding direction in one's life ("Think about direction / Wonder why you haven't before"), and of doing more than only contemplating change or wishing for it ("If wishes were trees / The trees would be falling").

Singer Michael Stipe has said of the song's origin that he and the other band members were discussing The Banana Splits, The Archies, The Monkees, and similar ’60s pop groups. “They threw these super bubblegummy songs at me, and I said, ‘I’ll raise you and see you one.’ And I wrote the most inane lyrics that I could possibly write. Now, it was a very intentional thing to do that. I really like most of those songs, in fact.”

"Weird Al" Yankovic parodied "Stand" for his 1989 album, UHF, as "Spam".

"Stand" was used as the opening theme to the early 1990s Fox comedy Get a Life, starring Chris Elliott.

The song was placed on R.E.M.'s Warner Bros. Records "best of" album In Time: The Best of R.E.M. 1988–2003 in 2003.

The song is an example of "truck driver's gear change", as the last two rounds of the chorus are each one whole step higher than the one previous

Tiffany Renee Darwish (born October 2, 1971), known popularly as Tiffany, is an American singer and former teen icon. She is most notable for her 1987 remake of "I Think We're Alone Now", originally recorded by Tommy James and the Shondells in 1967. Released as the second single from her eponymous album, Tiffany, the song quickly became a teen anthem. Thanks to an original mall tour, "The Beautiful You: Celebrating The Good Life Shopping Mall Tour '87", Tiffany became a pop sensation; both the single and the album peaked at number one on the Billboard Hot 100 and Billboard 200 charts, respectively. The singles, "Could've Been" and "I Saw Him Standing There", a feminine cover version of The Beatles' "I Saw Her Standing There", followed soon after, with the former also claiming the number one position on the Billboard Hot 100.

The Shoop Shoop Song (It's in His Kiss)" is a song written by Rudy Clark. The song was made a hit when recorded by Betty Everett, who hit No. 1 on the Cashbox magazine R&B charts with it in 1964. Recorded by dozens of artists and groups around the world in the decades since, the song became an international hit when remade by Cher in 1991.

Cher's remake was cut for the soundtrack of her 1990 film Mermaids in which it played under the closing credits, and the single's U.S. release coincided with the November release of the film. The lackluster box office performance of Mermaids was mirrored by the chart performance of "The Shoop Shoop Song" single, which peaked at No. 33 in January 1991, signaling the end of the hit-streak Cher had enjoyed in the U.S. since 1987.

The lack of American enthusiasm for Cher's "The Shoop Shoop Song" led to another cut, her remake of Barbara Lewis' "Baby I'm Yours", being the lead single from the Mermaids soundtrack in the UK and Continental Europe. However, after that song failed to become a hit – barely scraping the UK charts at No. 89 — "The Shoop Shoop Song" was issued as a single, backed with "Baby I'm Yours", and reached No. 1 on the UK chart of May 4, 1991, staying atop the chart for five weeks. Cher's first solo number one. Her last number one was back in 1965 with Sonny: "I Got You Babe."

Cher's "The Shoop Shoop Song" was also a No. 1 hit in Austria, Republic of Ireland, New Zealand, Norway and Spain; the single achieved a No. 2 peak in Australia and Top Ten status in Belgium, France, Germany, the Netherlands, Sweden and Switzerland.

The success of the single in the UK and Continental Europe was reflected in its addition to Love Hurts, her subsequent album, as released in those parts of the world, Australia and New Zealand. "The Shoop Shoop Song" was also included in the album's Canadian release but in the U.S. "The Shoop Shoop Song" was not available on a Cher album until the 1999 release of If I Could Turn Back Time: Cher's Greatest Hits.

Shiny Happy People" is a song by the band R.E.M.. The song appeared on their 1991 album Out of Time and was released as a single in the same year. The song features guest vocals by Kate Pierson of the B-52's, who also has a prominent role in the song's music video.

It peaked at #10 on the Billboard Hot 100, the fourth and, to date, last R.E.M. single to reach the top 10 on the chart. It also peaked at #6 on the UK Singles Chart, becoming the first R.E.M. song to reach the top ten in the UK and the only one to reach the top ten in both countries.

It was recorded during the autumn of 1990, and was first released as a single in May 1991 in the U.K. However, the single would not go on sale in the U.S.A. until four months later.

Too Legit to Quit" (stylized as "2 Legit 2 Quit") is a song by rap artist MC Hammer (whose name was shortened to "Hammer") released in 1991 as the title track and first single of his third album of the same name. It proved to be successful in the U.S., peaking at the Top 10 of the Billboard Hot 100, at #5. The single also peaked at #60 on the UK Singles Chart. Hit songs "This is the Way We Roll" and "Too Legit to Quit" were performed by Hammer on Saturday Night Live. Along with "Addams Groove", and other songs, "2 Legit 2 Quit" was featured in the film The Addams Family in 1991.

The music video (directed by Rupert Wainwright) for the song begins with an impatient crowd waiting for MC Hammer to perform, while Hammer has a lengthy conversation with James Brown, who calls Hammer "Godson" and enlists him to get the glove of Michael Jackson. Brown endows Hammer with several blasts of energy, before sending Hammer off to perform. The performance is high budget and laden with impressive pyrotechnics. The video ends with a purported Jackson (seen only from behind) having seen the performance and conceding Hammer to be the superior dancer, while doing the "2 Legit 2 Quit" hand gesture. Hammer personally spoke with Jackson on the phone about the video, with Jackson giving his approval of it. This story was mentioned several years ago on The Wendy Williams Show (July 27, 2009) when MC was a guest.

The video was number 5 in MAX music's World's Worst Ever Video countdown and number 1 in its Forgotten Video Clips countdown in 2008. It was also voted number 24 on MTV's all-time "25 Lame" countdown in 1999. However, it has been ranked as one of the most expensive videos ever produced, and a viewer's favorite by VH1.

A hand gesture became popular as a result of the title song and video which was also shown in the "Addams Groove" movie video and on MTV. It involved forming the number two for "Too", an L for "Legit", two for "to", and a "cut" motion for "Quit" with the hand and fingers (as seen in the video).

Queen of the Night" is a song co-written and performed by American pop/R&B singer Whitney Houston. It was the fifth and final single released from her multi-platinum soundtrack The Bodyguard. The song received a nomination at the Golden Raspberry Awards for Worst Original Song.

"Queen of the Night" is an uptempo pop rock/dance number, with Houston expressing how she "rules the club scene", proclaiming herself "queen of the night". It was not released as a single in America, but it received such substantial radio play that it rose to number 36 on the Hot 100 Airplay. However, because of Billboard magazine rules at the time (which have since been modified), a song with no commercial single available could not chart on the main Billboard Hot 100. The song reached number 1 on the Billboard Hot Dance Club Play chart, becoming Houston's fifth number 1 dance single. It was released in several other countries, peaking at number 14 in the UK.

The music video for "Queen of the Night" is the full performance Houston gives in the motion picture The Bodyguard. In the film, the performance is interrupted by violence.

In live performances, the song's arrangement is more faithful to the CJ MacIntosh mix.

This song was covered by American Idol contestant Haley Scarnato in 2006. This song was covered during Australian singer Delta Goodrem's Believe Again Tour at various locations throughout Australia in 2009. The 2009 X Factor contestants also performed this song on Sunday, October 18, 2009 as a group performance. Contestant Stacey Solomon, who came third, performed this song on The X Factor Live Tour 2010. The independent, web-based, electronic/dubstep artist known as Futret released a remix/crossover-cover of the song in early February 2012

Any Man of Mine" is the title of a song co-written and recorded by Canadian country music artist Shania Twain. It was released in April 1995 as the second single from her 1995 album The Woman in Me. The song was written by Robert John "Mutt" Lange and Twain. The song became Twain's first number one hit at country radio, as well her first crossover hit after it cracked the top 40 on the pop charts. It was released to radio in April 1995, and topped the charts for two weeks in July. The song was later included in Twain's 2004 Greatest Hits package.

"Any Man of Mine" also proved to be a critical success, it was nominated for both Best Country Song and Best Female Country Vocal Performance at the 1996 Grammy Awards. It won Single of the Year at both the Canadian Country Music Awards and Country Music Radio Awards in 1995. It also won Country Single of the Year at the 1996 Jukebox Awards and Song of the Year at the 1996 RPM Big Country Music Awards.

Larry Flick of Billboard wrote, "Twain aims right for the dance clubs with this hi-tech hoedown. The lyrics are dancefloor dumb, but the song is undeniably catchy. Besides, any song that borrows a vocal hook from the Three Stooges can't be all bad."

"Any Man of Mine" debuted on the Billboard Hot Country Singles & Tracks chart the week of May 13, 1995 at number 66. At that time, her highest debut, a record previously held by "Dance with the One That Brought You". It spent 20 weeks on the chart and climbed to a peak position of number one on July 22, 1995, where it remained for two weeks. "Any Man of Mine" became Twain's first number one single as well as top ten single. The single also spent ten weeks atop Billboard's Country Singles Sales chart. It also reached a peak of number 31 on the Billboard Hot 100, her first appearance on that chart, it reached number 13 in sales. The song was the first number one on the Billboard country chart to be performed by a non-American since fellow Canadian Anne Murray hit number one with "Now and Forever (You and Me)" on April 26, 1986.

Blue" is a song written in 1956 and recorded in 1958 by Bill Mack, an American songwriter-country artist and country radio disc jockey. It has since been covered by several artists, in particular by country singer LeAnn Rimes whose 1996 version became a hit. The song won Mack the 1996 Grammy Award for Best Country Song. and is included on the CMT list of the top 100 country songs of all time.

Contrary to popular opinion, Mack has denied that Patsy Cline was his inspiration for writing the song.

Although "Blue" was composed by Mack in 1956, he did not record it until 1958, for Starday Records in Nesman Recording Studios, Wichita Falls, Texas. He released it as a 45rpm single, backed by "Faded Rose".

Rimes first recorded the song when she was 11 years old on an independent album, All That (1994), under the label Nor Va Jak. Rimes' father, Wilbur, heard the demo when putting together the All That album. He disliked the demo stating "The first time I heard 'Blue' I didn't like it, but it was a demo version that sounded old fashion." The song was re-recorded for her debut album in 1996 when she was 13.

Her rendition of "Blue" debuted at #49 on the U.S. Billboard Hot Country Singles And Tracks for the week of May 25, 1996, but was soon released to country radio and became a major hit that summer, peaking at #10 on the Billboard Country Chart and #26 on the Billboard Hot 100, while also reaching #1 on the Canadian Country RPM singles chart. Rime's "Blue" album was also released the same year and sold six million copies (6× Multi-Platinum) in the United States.

Rimes re-recorded the song for her new album, Lady & Gentlemen, which was released on September 27, 2011. The song is credited with Time Jumpers and is produced by Darrell Brown and Rimes herself

I Want You Back" is the first single released from 'N Sync self-titled debut album. This single is also included on 'N Sync's Greatest Hits. It has been certified Gold by the RIAA. The song won a Billboard award for "Best New Dance Clip". It peaked at #13 on the Billboard Hot 100 and the single sold over one million copies. The single was certified Gold by RIAA.

Two versions of the music video have been released. The first, shot in Stockholm, Sweden from August 15-16, 1996 was released with the original German release of the song in October 1996. This version features the group in a space station, with many high-tech effects playing out around them. The boys then attempt to contact a girl and bring her on board. This version was directed by Alan Calzatti. The second video accompanied the European and American release of the song in 1998. This version was shot in black-and-white, and features the group performing in a warehouse, with shots of them playing pool and driving in a Cadillac intertwined. This version was directed by Jesse Vaughan and Douglas Biro.

Cruel Summer" is a pop song originally written and performed by Bananarama that was a top ten hit in Britain in 1983. Singer Sara Dallin said the song "played on the darker side (of summer songs): it looked at the oppressive heat, the misery of wanting to be with someone as the summer ticked by. We've all been there!"

Ace of Base is a pop band based in Gothenburg, Sweden. Its original lineup consisted of Ulf "Buddha" Ekberg, and three siblings, Jonas "Joker" Berggren, Malin "Linn" Berggren and Jenny Berggren. They released four studio albums between 1993 and 2002, which sold in excess of 30 million copies worldwide.

Happy Nation / The Sign is one of the best-selling debut albums of all time, and was certified nine times platinum in the United States. It was the first debut album to produce three number 1 singles on the Billboard Mainstream Top 40 chart: "All That She Wants", "The Sign" and "Don't Turn Around".

"I Know Where It's At" is a song by All Saints, released as the debut single from their self-titled album All Saints. On 9 August 1997 the song was debuted on the National Lottery Live and the first performance on Top of the Pops was on 2 September 1997.

The song was released in 1997 and became their first Top 10 hit, peaking at #4. A total of 158,769 copies have been sold. The single was released in the US after All Saints scored their first number one hit with "Never Ever". The track was originally released in Australia to coincide with the UK release, where it peaked at #67. After the second single "Never Ever" reached #1, the track was re-released where it peaked at #12.

In Asia, the song peaked at the top spot for 4 weeks, and it was the only song from a girl group to have reached the pole position during that time second to the Spice Girls' "Wannabe", making both acts rivals.   The song samples elements from Steely Dan's "The Fez". 

All Saints were a British/Canadian girl group. Founded in 1993 as All Saints 1.9.7.5, the group consisted of founding members Melanie Blatt and Shaznay Lewis, and sisters Nicole Appleton and Natalie Appleton. They became one of the most successful British pop groups of the 1990s, with nine top ten singles (including five number-ones), two multi-platinum albums, two gold albums and record sales in excess of ten million worldwide.

All Saints were formed as a trio in 1993 with Blatt, Lewis and Simone Rainford, who released two singles before Rainford's departure in 1995. Natalie and Nicole Appleton joined the group for the production of their debut album, All Saints (1997), which produced three UK number-one singles, including the BRIT Award-winning "Never Ever". Their second album, Saints & Sinners (2000), was also a success and yielded two number-one hits, although the group broke up in 2001. They later reformed for a third album, Studio 1 (2006), but it sold poorly. All Saints were confirmed to have split up for a second time in 2009, and Melanie Blatt has said that the group will never reform.