One of the most musically complex songs on
Sgt. Pepper,
it was recorded on 17 February 1967 with overdubs on 20
February (organ sound effects), 28 March (harmonica, organ,
guitar), 29 March (more organ sound effects), and 31 March.
Lennon wanted the track to have a "carnival atmosphere", and
told producer
George Martin that he wanted "to smell the sawdust on
the floor." In the
middle eight bars, multiple recordings of
fairground organs and
calliope music were spliced together to attempt to
produce this request; after a great deal of unsuccessful
experimentation, Martin instructed
recording engineer
Geoff Emerick to chop the tape into pieces with
scissors, throw them up in the air, and re-assemble them at
random. On 17 February Lennon sings the words
"For the benefit of Mr. Kite!" in a joke accent, just before
Emerick announces, "For the Benefit of Mr. Kite! This is
take 1." Lennon immediately responds, "
Being for the
Benefit of Mr. Kite!" reinforcing his title preference, a
phrase lifted intact from the original
Pablo Fanque poster. The exchange is recorded in
The
Beatles Recording Sessions (slightly misquoted) and
audible on track 8 of disc 2 of
Anthology 2. The original recording can also be
heard during the loading screen for the song if it is
downloaded in the video game
The Beatles: Rock Band.
Although Lennon once said
of the song that he "wasn't proud of that" and "I was just
going through the motions," in 1980 he described it as
"pure, like a painting, a pure watercolour." It
was one of three songs from the Sgt. Pepper album
that was banned from playing on the
BBC,
supposedly because the phrase "Henry the Horse" combined two
words that were individually known as slang for
heroin. Lennon denied that the song had anything to do
with heroin